1⁄4 Ante Meridiem

O Pior Ainda Está Por Vir

Mille scudi

South of Italy, XIX century. A couple of brigands are chased in the woods. The man has a bounty on his head and is terrified by everything, while the woman takes care of her newborn. They will be safe beyond the river, where they are going to abandon their son to some gang members in order to run faster. But the woman secretly hides the desire to keep the baby...

Deathmate

Puppet Me

The daughter of a famous ventriloquist decides to put on one last show.

But I’m Letting Go

Set to the music of NIKI's album 'Nicole', a young woman experiences the aches and elations of her first love.

Los Montes

Los Montes de la Ermita, region of Bierzo Alto, in the province of León, Spain. Six women assist Joaquín —the only and last inhabitant of the remote village, located on the slopes of the mythical and mysterious Catoute Peak—, who is in danger of death due to an unfortunate accident.

Daughter's Table

Mrs. Cho’s three daughters, Su-yeon, Ji-yeon and So-yeon, carry out their own busy lives. Upon the diagnosis of the terminally ill condition of their mother, they visit her after a long time. The three daughters bicker and compete against each other like children to win the love of their mother, and decide to use each of their skills to prepare a meal for their mother.

First-True-Last

Three love stories. The same country that condemns them. A queer Guatemalan anthology that explores love between men in a society without LGBTQ+ rights. FIRST: Two teenagers discover their attraction at a party, experiencing that first kiss that changes everything. TRUE: A bitter comedy about an ex who discovers her new boyfriend's secret at his wedding. LAST: Heartbreaking drama about a seven-year, closeted relationship that collapses.

Foreign Lovers

A lonely New Yorker serendipitously meets a mysterious foreigner and sparks ignite. A meditation on life and love in the digital age.

When the moon is on the wane

In a tilting and subsiding town, everybody has left. Jae-ah is still waiting for her brother to come back. She lives in the shadow of fear, as her house begins to tilt.

Who will die today?

This film ballad is dedicated to those who never returned home from WW2. A group of retreating Soviet soldiers, crossing a lunar terrain in a desperate attempt to escape death, is attacked by a German fighter plane that appears like a bolt from the blue. One by one they are killed. Then suddenly, in an unlikely denouement bordering on the mystical, the attacker is shot down with a simple rifle. For ideological reasons that defy understanding this film, one of Viktor Hres’ earliest works, was shelved in 1967 by Soviet censors. In 2010, it was restored by the Debut Studio of the Oleksander Dovzhenko Film Studio with the support of the Ministry of Culture and Tourism of Ukraine.

Lessons on the Improper Use of Objects

Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.

The Conquest of Faro

Arriving in a hotel in the city of Faro, a couple learns there are no available tables left. When another couple agrees to share a table, they spark a conversation on the city’s history, unfolding the tales of King Afonso III, who betrays his wife, and of a Moorish woman, who betrays her father.

The Return of Max Crocodile

In 1989, Rody ruled the wrestling ring as Max Buwaya—a fierce heel who captivated the Pinoy wrestling scene. Decades later, he drifts through obscurity, his daily ritual of donning the mask offering fleeting comfort against a world quietly closing in. Wrestling with a fading sense of purpose, he prepares for a triumphant return: a final match that could earn him the belt he’s longed for his entire life. But as past and present blur, questions arise—about who he is, and what’s real.

All These Days When I'm Foreign

Two northeastern brothers live and work as waiters in Baixada Fluminense. The duo tries to balance themselves in an underworld permeated by financial difficulties, prostitution and urban violence. Antônio feels out of place.

Tumba sin nombre

Ángela Ferrer lost her grandson during the Falklands War. A year has passed since the end of the war, and Ángela has not resigned herself to accepting her grandson's death, much less to not being able to visit his grave and pay him the tribute she considers more than deserved. Today, Ángela searches the cemetery for an abandoned grave that could serve as a space to visit her grandson. Finally, she decides on one that shows signs of neglect. She refurbishes it and leaves behind a small painting she made, in which we see a sailboat sailing across the sea. These visits take place weekly, while Ángela continues her daily routine, until one day they are suddenly interrupted.