岂有此理

Uncle Guo's Dreamworks

As a person who has taken art exams, Guo Jiang chose to enter the industry of "art exam training" after graduating from university. His role is that of both an educator and a businessman, although most of the time he prefers to appear as "Mr. Guo". The stage on which Mr. Guo's skills are put to use is a small county in central Henan, which is also his hometown. This documentary is about Guo Jiang's career and life.In short, hovering between the desire and the so-called ideal, adhere to or let go, he needs to make a choice.

Chinese Backbone Doctors

Liu Haiying, who is praised by patients as the "sword of the world", is a doctor of medicine who grew up during the 80 years of agency thinking. He spent the most important stage of his career in Germany in the mid-1990s, and he developed a rigorous career. Careful and professional character. In many years of medical practice, Liu Haiying often paid out of his pocket to help poor families with severe spinal deformity patients. He knew that if these people did not undergo surgery, they would have organ failure or death waiting for them. However, long-term funding is unsustainable for the economy.Day and night heavy work has made this good doctor with superb medical skills a patient who needs to be taken care of. Colleagues advised him to take more care of his family and body, but he couldn't stop the pace of "saving the wounded." He was still staggering, guarding his life that was hard to give up and saved the wounded.

A Farewell

Danni, a young Chinese girl, comes home to pay her respect to her late grandfather. Out of place in the traditional Muslim environment, she unearths a hidden secret of her past and thus embarks on a journey, against her parents’wishes, in the suppressed but mesmerising world of Islamic culture in modern China.

Trashy Treasure

The term "garbage" is relative, but most people's definition of garbage is absolute and rigid, and the definition of a person like "garbage man" is also relative. Compared to the ostrich that disappears when humans avoid garbage and not see psychological. With a lively and lovely tone, the film brings out the special views of how the two protagonists look at trash when they walk between the cities, and then connects the delicate relationship between their love for trash and their families.

HOMECOMING

In a city that worships money, there is a group of people who still insist on living the philosophy of "people are not living on food alone." Instead of choosing to live in seclusion, they choose to actively enter the world, improve their hearts, and influence others through artistic creation. Their innovation has not only driven the art world in Hong Kong but more importantly, through their enthusiasm for creation, they have made us understand that as long as we have a "heart", no matter how difficult the environment is, we can persist in a "love".

Island

A passenger on a bus, a man with a barrel on his head, and when they meet, the two worlds are connected...

The Trace of Hometown

In the first scene of the film, the characters in the story enter a child's dream, trying to return to their childhood by looking for strange and familiar memory images in the dream. The film starts with the director's private memories. The still images come from the images and old films taken by the director back in the village where he lived in his childhood. Through the interpenetration of memories in dreams and the present, it explores how "people" deal with trauma at the psychological level.

生活在遠方

The Sea Within

Fishermen couple Ah Shing and Mei-wah, having lived from boat to shore, stayed together for most of their lives. After their son grew up, they have different visions towards the rest of their days. Ah Shing insists on fishing amid the decline of the local fishing industry. Mei-wah works as a factory worker and wishes for a more stable life. Even when there are subtle and profound changes in their relationships due to the different views, their affections for each other never stopped and they still support each other. This story is based on the real-life experience of the director's parents, and they play their own character in the film.

Romance in Factory

Anti-Bone Students

After witnessing the sudden death of a student in a classroom, a cowardly young teacher will face a whole classroom of students who have not yet died suddenly, as well as his own indistinguishable past, in which he exhibits his "name view" in preaching and self-doubt, and a class will pass.

Wrinkle of Shanghai

The epilogue of a young and 'blind' Shanghai trilogy. From the edge of the harbor in the first film to the international ruins in the second, the claws of blind flow finally reached downtown. This is a stiff and refreshin music video. A couple misfits in Shanghai, a clown who doesn't wear makeup on stage and a mop-up plan soon will be failed.

A Quiet Dream

During the summer vacation, Xiao Wei was unable to finish his summer vacation homework. The depressing atmosphere in his family bound him tightly. His sister walked freely in the home. Xiao Wei found his toy in his dream ...

Four Articles about Family Relations

Director Xu Linyu presents four short films: Mother, Father, Daughter and Son, in which the characters are bound together by the same family, but one of the greatest feelings between the relationships is the sense of alienation. During the filming process, Xu Linyu tries to sort out everyone's dilemma and re-understand the family relationship.

The Dog Ate a Boy

Tan Dongdong, aged 16, rode a motorcycle for a living. On his way to get back his ex-girlfriend Lin Qing, Tan Dongdong accidentally got acquainted with hair salon girl Wu Xiaoxia. After learning that Lin Qing had left with another man, Tan Dongdong gradually developed feelings for Wu Xiaoxia. At Tan Dongdong’s request, Wu Xiaoxia agreed to give up her job as a prostitute in the hair salon. However, when Tan Dongdong found out that Wu Xiaoxia had violated the agreement, he chose to take revenge…

A Man in Trouble

Wang Yang has an interview today. However, a series of abrupt and absurd interludes, such as cockroachs that suddenly appear, the phone that he can't get rid of, ceaseless music, and mysterious phone calls, keep popping up to prevent him from leaving the house. The veracity of this story is immediately doubted after he tells his brother about all of this, but he believes that everything that happens to him is real...

Broken Line

Building Archaeology

The documentary Building Archeology (jiànzhú kǎo) (2011) considers the more recent past. It’s made up of three vignettes about different buildings in Beijing: a museum, an abandoned hospital, and a detention center. The latter two vignettes are especially interesting. In the second, a woman wanders around the ruins of a hospital built in a week to deal with the 2003 SARS outbreak. The third concerns a former prisoner, tracing out a map of the detention center where he was held in 2011.

Long-focus Videographer

The work was shot in Chongqing where Yu Guo lives. The artist utilises a camera with 8000mm digital zoom to capture the farthest objects that lens could reach. Because of the refraction of air and the limit of distance, the images that taken from kilometres away becomes blurred. Yu Guo continually adjusts the focal length in the process of shooting. Then, these unclear and ambiguous objects are inserted into the original or different video clips by re-editing or a collaging way. Through the misplacement of vision and the transformation of context, the original information and reference split in the images. Yu Guo attempts to interrogate the physical distance between himself and object, the relationship between subject and object in the video, and then re-examine the individual relationship and psychological distance in real life.

A Feng Shui Guideline for Image Maker (Heavenly Stems and Terrestrial Branches)

This video work is a fictional online Feng Shui guideline. A Feng Shui master on-screen in connecting to a person's brain to observe the image fragments in it and, based on that, try to give advice. It turns out to become a dispute between the two. Composed with images from real places like modern residences, high-speed train stations, national enterprises in mid of change, and mining factories, the video gives a dizzying visual effect. The artist narrates the words mixed with humorous, personal, and authoritarian languages. The work concerns the complex relationship between medium, feelings and narratives, and how a personal destiny can be narrated in relation to specific spatial-physicality.