The production is a poetic impression, its tone is mournful. The film shows the landscape of Vietnam two years after the end of the war. There is no commentary in the production, the image is accompanied by Mozart's composition.
1981. The shabby treatment of returning combat soldiers from Vietnam is investigated.
Three decades after German-American pilot Dieter Dengler was shot down over Laos, he returns to the places where he was held prisoner during the early years of the Vietnam War. Accompanied by director Werner Herzog, Dengler describes in unusually candid detail his captivity, the friendships he made, and his daring escape. Not willing to stop there, Herzog even persuades his subject to re-enact certain tortures, with the help of some willing local villagers.
At the risk of a 5-year prison term, Francesco Da Vinci struggles with his Virginia draft board to be recognized as a sincere conscientious objector to the Vietnam war.
Born a conjoined twin due to the effects of Agent Orange used during the Vietnam War, Duc Nguyen, now a father and husband, seeks the truth about his past and contemplates the future.
Both sober and sobering, producer-director Emile de Antonio’s In the Year of the Pig is a powerful and, no doubt for many, controversial documentary about the Vietnam War.
While the war raged on, Henry Kissinger, national security advisor to President Nixon, and Lê Duc Tho, member of Vietnam's Politburo, held secret meetings in France.
A U.S. Navy Commander Jeremiah Denton leading a plane sortie into North Vietnam was shot down and captured as a POW. For 8 years of his life, he was a prisoner at Hanoi Hilton where he and other POWs were tortured. In a press conference, being forced by the North Vietnamese to say he was being treated well he blinked out the letters TORTURE in Morse code.
A variety of locals react to a napalm plant and an ensuing protest in Redwood City CA during the Vietnam War.
More than a dozen Vietnam War veterans from the central Illinois area recount their tours of duty including ground and air combat, the fighting environment, their living conditions, coping with the loss of friends and health issues including the effects of Agent Orange. They also reflect on the reception they received upon returning home and their opinions of the war.
A documentary-short on the life of Ira Sanders, a commodity trader turned educator whose first-hand experiences on 9/11 greatly influence his life.
Before becoming a film critic, then a maker mainly of sharply engaged documentaries, usually in tandem with her late husband Lino Del Fra, Cécilia Mangini was a photographer. Taking pictures was something she did all her life, alongside whatever else she was working on. In 1965 Mangini and Del Fra went to war-torn Vietnam to make a film they never finished. More than half a century later, she returned to these images, moving and still, some of which she found again by accident.
Push-ups to the rhythm of a metronome, a meter counting backward from 100; three words are shouted time and again: “dog – pig – monkey”.
Looking back on the creation of the Vietnam Memorial, this Emmy-nominated documentary chronicles the controversy surrounding the monument's construction and touches on the history of the polarizing war that inspired it. Fueled by the vision of Vietnam veteran Jan Scruggs and brought to life by then-fledgling designer Maya Lin, the memorial would eventually become the nation's most visited monument. But its success was a hard-fought victory.
Tom Savini is one of the greatest special effects legends in the history of cinema, but little is known about his personal life until now. For the first time ever a feature length film has covered not only Tom's amazing career spanning over four decades, but his personal life as well.
A documentary feature by Pierre Schoendoerffer about the Vietnam War. Winner of the 1968 Academy Award for best Documentary Feature.
Real-life letters written by American soldiers, sailors, airmen, and Marines during the Vietnam War to their families and friends back home. Archive footage of the war and news coverage thereof augment the first-person "narrative" by men and women who were in the war, some of whom did not survive it.