My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.
Tuiu
as Self
Emma reviews old tapes on VHS, which show faded family memories of those distant 80s, when she was still a child. While recalling the trips to the coast and the children's laughter, she tries to recompose pieces of a story that he never fully understood, joining the pieces of a forgotten puzzle to discover that things were not what they seemed.
Maya is Ayaibex's daughter, an addict in recovery that feels a blame for damages that caused her daughter, Maya decides to remember her mother's childhood experiences in her world of addiction to seek the redemption of the weight that her mother has loaded for 20 years and get both to forgiveness.
Madicken is a Swedish girl from the upper level family, growing up during the time of first world war which did not include Sweden. She lives happily with her family, experiencing the world and making brave and crazy things.
Eliza Dushku takes on her homeland of Albania.
Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.
The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.
A grandson lives with his grandparents, taking care of housework and the old marriage. On a very special day for the granny, it will be shown why the unpredictability of an event gives a new value to the young man´s presence in the house.
The story of Christina Lau and her relationship with her parents as she recounts the happy and traumatic memories of her childhood and adolescence. She shares the ways in which the tragic demise of her father and mother have affected her and shaped who she is today. Her story is powerful, tragic, and demonstrates the importance of strong family ties when overcoming hardship. The documentary is directed by her eldest daughter, Robyn Mae, and includes stunning animations created by her youngest daughter, Tammy-Ann.
From the inside of a balikbayan box, a daughter plays a video game system gifted to her by her father. She recalls the days before her father went overseas due to the lack of stable and livable employment and the ongoing drug war in the country. A meditation on parental bonds and the OFW experience from a child’s perspective.
A documentary about the sea and memory. Its movement is its form. Its strength.
A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.
Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.
After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.
Two men, the hint of a sofa corner and a pile of letters. Using minimalist means, the film tells the story of two brothers caught between exile in a foreign country and resistance in the underground. It takes us back to the time when the revolution seized power in Iran and tells of life between the fronts. Daniel Asadi Faezi sketches the story of his father and his brothers - based on correspondence that has lain in the cellar for 30 years.