A film crew travels out to a village in Anatolia to shoot a movie. But after each were affected by a dream they saw, the remaining four team members decide to stay and investigate the incident.
Aykan Sag
as
Duhan Çetin
Erol Sertel
Metin Köse
Mustafa C. Aydın
Sevim Çömlek
Turgut Çömlek
Four friends spend a final summer together tangled in a web of sexual obsession, alienation and magic.
Shiori accidentally angers the Smiling Man, a demon that has been latched onto her soul since birth, who in turn torments her into discovering the mystery behind the origin of the curse.
An experimental reinterpretation of Dracula, this film fuses analog and digital decay-from Super 8 to 35mm-into a glitch-infused vision that transforms the novel's gothic eroticism into a haunting new audiovisual experience.
Ciel learns of a "Aurora Society", that is rumored to be researching how to bring the dead back to life. Their next meeting is scheduled to be conducted on the ship Campania, voyaging across the Atlantic Ocean. Much to Ciel's dismay, Elizabeth "Lizzy" Midford, is taking the same ship, thus leaving him with no choice but to get aboard as well.
A woman on the run from her abusive husband encounters a mysterious hitch-hiker.
When a mystery illness infects the pigs of a village farmer and a local boy is also taken ill, the villagers try to convince a veterinarian that it is caused by a curse from a woman they believe to be a witch.
Samantha has lived her whole life in different foster homes. Now living in a small town, she never feels like she quite fits in, even with her own current foster family who might adopt her, or the boy who follows her around doing her classwork. So, it’s perhaps natural that she doesn’t know what to do with a curious tagalong little sister named Olivia. One day, Sam callously ditches Olivia, who wanders off into the woods on her own and disappears.
Three young children accidentally release a horde of nasty, pint-sized demons from a hole in a suburban backyard. What follows is a classic battle between good and evil as the three kids struggle to overcome a nightmarish hell that is literally taking over the Earth.
Spin-off short story of the "Senritsu Kaiki File Kowasugi!" series, which is set after FILE-02.
A nine year old boy named Joey, who after the tragic death of his father, begins to experience psychic powers such as allowing him to move inanimate objects with his mind, set things on fire, and even communicate with his dead father. However, not everything is good for Joey as his newly gained powers accidentally awake an evil supernatural force that is contained inside the body of an old ventriloquist's dummy that Joey found in an abandoned house. The supernatural Dummy shows similar powers to Joey's, and soon he puts the lives of everyone near Joey in danger as the evil Dummy has dark plans for Joey's special powers.
A group of urbex enthusiasts travel to the backwoods of Appalachia to capture footage of abandoned houses, when they unwittingly become the subjects of a much darker video - made by a different kind of "enthusiast".
Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.
When a series of unexplained events begin to echo across time, one woman finds herself at the center of a threat that refuses to stay buried. As the past bleeds into the present, she is forced to confront a presence that seems to follow her across lives, memories, and moments she can’t fully explain. DUSK is a psychological horror film that blends suspense and supernatural elements, exploring the idea that some darkness doesn’t end—it returns. Starring Laura Bailey (Critical Role), alongside Bruce DuBose and Todd Haberkorn, the film delivers a character-driven descent into fear, where survival means recognizing what’s been hunting you all along.
A group of teenage friends who seeks the thrill of ghost-hunting, and stumbles upon an old camera. As they carelessly play with it, they unknowingly summon the demon that exists inside. The demon possesses one of them, thus setting off a chain of horrific events that could turn fatal for everyone.
A teenage boy is haunted in his dreams by deceased child murderer Freddy Krueger, who is out to possess him in order to continue his reign of terror in the real world.
The pregnant Alice finds Freddy Krueger striking through the sleeping mind of her unborn child, hoping to be reborn into the real world.
In the Seventeenth Century, while Hungary is fighting the Turks, the population of a small village in the Carpathian Mountains faces the evil Countess Elizabeth Bathory, accused of drinking and bathing in blood of virgin women.
Jungle Love follows a handful of people who have disappeared into the jungle: a woman who has kidnapped her sister's child; an urbane couple and their indigenous guide; a bored and horny platoon; and a nameless tribe. Disappearance has another meaning in Sanchez’s native Mindanao, where a decades-old conflict between the government and secessionists fighting for an Islamic state has made the region infamous for its kidnappings. Sanchez took inspiration from an incident in which a friend living abroad visited an exhibition, and found a photo of him labeled as one of the disappeared. Jungle Love is permeated with this sense of the uncanny, as narratives and identities fracture and fuse into one another in the reckless, lonely places people go to escape themselves.
On Halloween, 2020, Jesse and Jacob Warner disappeared while live streaming on social media. This is that live stream.
Death is a moment whose reverberation endures for the living. Three students from the Audio-Visual team are shooting a documentary on a schoolmate who has recently committed suicide. It is intended to convey a ‘positive message’ to the entire school about the importance of life. During interviews, the students notice some discrepancies in the testimonies, particularly those by a prefect and a teacher, while friends of the deceased seem to be withholding some inconvenient truth. Should the team pursue the truth, or act as the school’s propagandist? Filmed in a mocumentary style, The Handbook of Suicide Prevention challenges and exposes the hypocrisy and suppression that haunt adolescence.