The story of January 6, 2021, where approximately 2000 people stormed the US Capitol to stop the certification of the Electoral College Votes, killing some and leaving over 140 injured. A firestorm of angst, anger, violence and confusion.
Katie Couric
as Self
Thirty years after the release of his film JFK (1991), filmmaker Oliver Stone reviews recently declassified evidence related to the assassination of President John F. Kennedy, which took place in Dallas on November 22, 1963.
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
The New Tango (El Nuevo Tango) was not shown in Argentina for a long time as it deals with the ascent of Argentinean president Hector Campora in May 1973, and features Cuban and Chilean presidents, Osvaldo Dorticos and Salvador Allende. A million people gathered on the Plaza de Mayo to acclaim the new President. One of Cámpora's first presidential actions was a granting of amnesty to political prisoners who where jailed during the dictatorship. On 28 May Argentina restored diplomatic relations with Cuba, which then received Argentine aid - such as food and industrial products - to break the United States embargo against Cuba.
When the renowned author, orator and journalist Christopher Hitchens was challenged to undergo the brutal interrogation technique known as waterboarding, few would've expected he'd accept such a task - he had previously expressed the position that the controversial procedure would not qualify as torture, and most who'd claim such a thing would not have the courage to test their convictions. Yet, in May 2007, Hitchens did just that - and his experience profoundly impacted both himself and his stance on the matter, prompting him to declare he'd been wrong, and later to publish his 2008 article for Vanity Fair's August issue, simply titled 'Believe Me, It's Torture'.
Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.
Short about the disappearance of the body of the political Argentinean writer Rodolfo Walsh after he was shot in an ambush by a special military group in Argentinia on March 25 1977.
This documentary is Dr. Steven Greer’s answer to the current government and media disinformation campaign promoting 3 big lies: 1. We do not know what these UAPs/ UFOs are. WE DO. 2. Humans cannot make craft that can maneuver like UFOs. WE CAN and WE DO. 3. The UFOs are a threat. THEY ARE NOT.
This documentary by ABC News commemorates the 30th anniversary of the 1962 Cuban Missile Crisis. It provides a behind-the-scenes look at how close the U.S. and Soviet Union actually came to catastrophe.
Somewhere in Myanmar is a forest rich in amber and controlled by the Kachin Independence Army (KIA). Most of its inhabitants work in a mine, digging the earth night and days in the hope of finding the precious ore that will get them out of poverty. But on top of the excruciating hardship of the work, they also have to fear an attack from the army.
Project 1 _ Hong Hyung-sook The children who are enthusiastically painting and cutting a doll. What stories will be told at the Square? - Project 10 _ Kim Jeong-geun The janitorial worker from the Busan Subway Station, Kim Young-ja talks about how she hopes to see a clean world, just like how she cleans everywhere in the subway.
The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
As the detention of migrant children has climbed to record-breaking levels under President Trump, FRONTLINE and The Associated Press investigate what’s going on inside federally-funded shelters — and the lasting impact on children held in U.S. custody. Also in this two-part hour, a report on the sexual exploitation of women and girls in Iraq.
Follows the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices.
The film showcases the voices of past and present Hougang residents, alongside commentary by historians, public intellectuals, politicians, and volunteers. Charting Hougang’s history from the mid-eighteenth century, the film features personal recollections of growing up in Hougang, residents’ sentiments towards state-led redevelopment and relocation, and the political journey of the community in the context of the Workers’ Party having won the Hougang Parliamentary seat a little over 30 years ago.
An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.
