Fashion revolutionary Bethann Hardison looks back on her journey as a pioneering Black model, modeling agent, and activist, shining a light on an untold chapter in the fight for racial diversity.
Bethann Hardison
as Self
Tyson Beckford
Naomi Campbell
Tracee Ellis Ross
Zendaya
Kadeem Hardison
Portrait of photographer Bengt Åke Kimbré where he narrates his own life story accompanied by his photographs.
Achour is thirty. Night and day, he walks. Rebellious soul, he crisscrosses Alger and its neighborhoods, stays at friends' houses and often leaves the city to meet the nearby montain in Kabylia, his alter-ego. In this environment his resistance continues, mobile and ascending. Algerian hardcore-punk musician, Achour once screamed his anger against the country's regime and sang "Anarchytecture". But the movement died down, friends went their separate ways. His Facebook wall became his notebook, his window open to the world. It represents a scream aimed towards the echo of the mountains, between virtual wall, infinite facades of large complexes and the strata of mineral cliffs. A scream comes back at us.
Annedore takes care of orphan birds. They give her that which humans througout her turbulent life could never give her: love.
Rolland, a 70 year-old man, exiled by his family due to his sexual orientation, makes peace with the past by finding himself in a small ghost town in the western part of Jalisco, San Sebastián del Oeste. Almost 40 years later, he wants to go back to his hometown, try to regain his daughter's love and be a part o his granddaughter's life.
Sean Penn is almost a living legend. His filmography paints a picture of an 'other America': the lower class, the oppressed and the outsiders. Whether as an actor or director, he turns all the great myths upside down.
It is the story of an encounter, that of two men, that of a coffin meeting its hearse, of death inviting itself into life or perhaps of life inviting itself into death. This encounter follows an advert on Leboncoin: “Solid oak coffin, varnished. Excellent condition. Large size. Its particularitý is to have the place for the legs embedded. It is not padded inside. Does not fit in an oven, hearse or traditional vault. Difficulty to get through doors (…)”
The remarkable story of The Weather Underground, radical activists of the 1970s, and of radical politics at its best and most disastrous.
"It takes courage to accept growing old. It's the response to the cruelty of passing time that I wanted to film." (Xavier Liébard) A group of elderly people decided to live their journey through middle age to the fullest. United in the same small group for over fifteen years, they chose to share their vitality through song with others, those whom old age has excluded from the social, familial, and human experience. Against all odds, "The Joyful Companions" are active and committed to maintaining the social connections that bind them to life. But what strategies, tricks, and struggles they must invent to live old age with hope... Xavier Liébard Director, Writer
Hear the inside story of Huey Newton and the Black Panthers with this documentary that examines their efforts to promote the rights of African Americans as well as the organization's violent tactics, including the killing of a police officer. The film features a rare jailhouse interview with Newton discussing the role of revolution and civil disobedience, plus footage of several Panthers' bullet-riddled homes following police raids.
A documentary in 10 chapters, built around interviews addressing the complex topic of personal data: how we use the web, the excesses, hopes brought by GDPR, local solutions, etc. The documentary is available on Peertube instances: https://peertube.fr/videos/watch/ea2d5153-4704-4a6e-8a13-d09a411c9760
Megg Rayara overcame obstacles that should not exist to get where she is. Get a Doctorate Degree is a very important victory not only for her, but also for the transvestite community. For the first time in Brazil, a black transvestite wins a Doctorate Degree. It is the margin that migrates to the center, taking all its history with her.
A portrait of the Director’s maternal grandmother, Eliane, a French woman who lived her entire life in Tunisia. The film shows her last moments at home with her family before her passing due to Alzheimer's disease.
Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.
