The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues that is friendly, jovial, even a little melancholic.
Ade Darmawan
as
Indra Kusumaaka Ameng
Gesya
Farid Rakun
Mirwan Andan
In 1968, engineer Giorgio Rosa established the independent state called "The Isle of Roses" off the coast of Rimini, built on a platform outside the territorial waters, with Esperanto as the official language. The Italian authorities did not take it well because the micronation was seen as an expedient to not pay taxes on the revenues obtained thanks to the arrival of numerous tourists and curious people.
1953, colonized Algeria. Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.
CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...
A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer.
A journey through Ukraine that reveals the banality of evil behind the Russian invasion with the shocking juxtaposition of two realities: the Ukrainians who have been suffering and resisting the war violence, and the Russian military, and civilians, who have been perpetrating it.
An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?
Former petty criminal Ali la Pointe becomes a commander of the Algerian Front de Liberation Nationale, directing a guerilla insurgency against the colonial French occupation. Paratrooper commander Colonel Phillippe Mathieu, a veteran of World War II and the First Indochina War, is sent to Algeria to reinforce efforts to squelch the uprisings.
A group of disillusioned outsiders abandon modern society in search of a new beginning. Settling on a remote, uninhabited island, their utopian dream quickly unravels as they discover that the greatest threat isn’t the brutal climate or deadly wildlife, but each other.
In "Mitzukos Dream" you watch sleeping people, each filmed for one night with a willdlife camera that reacts to movement. So only the active parts of sleep were captured on film - the moments when we dream?
In the mid-1960s, Bretons took direct action against the French state. What were the origins and causes of this fervor, sung by Glenmor, the bard of this angry Brittany, from which young people had to emigrate to find a future?
Videoinstallation with methacrylate / no sound / 2018. Underwater Images recorded in Baja California Sur (México)
Svitlana, a Russian-speaking Ukrainian, examines the colonised part of her consciousness and tries to find answers to the question of how Soviet totalitarianism and Russification influenced the relationships within her family.
An exploration of how the U.S. military employs video game technology to train troops for war. Three Dead depicts a military exercise within a mock Iraqi town built on the outskirts of Twentynine Palms, California, blurring the line between computer simulation and reality.
An exploration of how the U.S. military employs video game technology to train troops for war. In Immersion, Farocki presents footage of a role-playing exercise in which military psychologists demonstrate how to use the PTSD program on their colleagues, who describe traumatic wartime experiences. On a second channel, their descriptions play out as virtual renderings.
An exploration of how the U.S. military employs video game technology to train troops for war. In A Sun With No Shadow, Farocki calls attention to the subtle differences between the simulations for combat training and PTSD. With the former, the sun can be programmed to cast shadows in the virtual combat zones, while the latter, less expensive technology does not offer this feature.
Documentary about Indigenous peoples' profound connection to nature and their struggle against deforestation, a grave threat to their way of life and the ecosystem they call home.
Bebo, a teenager from a coastal Puerto Rican town, lives with his brother in a public housing complex. They fish for a living, but growing desperation drives them to illegal dealings that promise easy money. When a job goes wrong and blood is spilled, Bebo flees with Lola, a wealthy girl seeking to escape her troubled reality. As they navigate the labyrinthine mountains, they encounter remnants of a fading way of life, contrasting with the violence that follows them. As hitmen close in, Bebo must confront his choices and decide if redemption is possible, or if the sea will be their final escape.