A vacant theater still has “screenings” of its own: apparitions that come to life on a curved screen without anyone to see them, creating spectacular scenes without any projectors at all.
In the aftermath of Hiroshima, a group of scientists vowed never to turn knowledge into weapons again, and from that promise, CERN was born. Deep underground, researchers from nations in conflict have worked side by side for decades, driven by curiosity and shared wonder. For 70 years, CERN has stood as an act of hope, a place where collaboration transcends borders, even as the world above grows more divided. Blending poetry, music and rare archival footage of Oppenheimer with remarkable access to the Large Hadron Collider, the film explores how science, politics and culture collide.
My great-grandmother, Frieda Riesenfeld, recounts moving into her first apartment in the United States after escaping from Germany in 1938.
Nebraska's Capitol is a national historic landmark ... a masterpiece of art and architecture, and the spirit of everything Nebraskan. Explore the enduring nature of Nebraska's statehouse and how its visionary design portrays Nebraska's people, its history, and democracy.
An exploration of memory after death.
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
A girl from Hainan recounts her youth in a seaside village she couldn't leave.
Pet Shop works as an experiment on regret and suffering. A juxtaposition of a dog in a pet shop and a window. Narrated from the perspective of God, or the Devil, the text recounts discussions a person has had with Him. The person accuses Him of destroying his life. This could be for a sin, a murder, or for falling in love with a person of the same sex.
In the heart of the Jordanian desert, the ancient city of Petra is full of mysteries. How was this architectural wonder created over 2,000 years ago? The technical prowess of Petra, an ancient city in southern Jordan, which was a wonder in the middle of the desert.
a raw descent, billowing fast & spun 'til the time we'll force the soil to swallow ourselves: too far gone, & no backwards to safety. only spirals of wasted water down dirty, half-clogged drains, razed by fates written for us in cold ash by the bones of ancient smokestacks.
An experimental documentary/animation hybrid exploring likeness scanning, AI, and what that means for identity.
Meier guides the viewer on a retrospective of his white buildings, from private houses of the 1960s to the Frankfurt and Atlanta Museums of the 1980s--all variations on his trademark spatial and planar treatment. His influences from Corbusier, Wright, Mies, and Baroque Germany are shown. Clients and colleagues offer opinions.
A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I dropped out of school.
La Panadella, an emblematic small road town in decline located in Catalonia, is awaiting the arrival of visitors from a mysterious tower. While its inhabitants and passersby follow their monotonous routines, a strange signal manifests itself.
MARKS/MARKS examines the relationship between the mark making of optical lens technologies (writing with light) and the mark making of painting within the context of digital technology and mass data. The film maps the movement of painter Dr Harrison Waed See in the studio painting to generate the tempo and trigger audio and visual effects. Similarly digital image sonification and digital data sonifcation of still and moving images of Dr See were used to generate further noise and visual effects. Alongside this, the soundtrack also includes amplifcations of the sound of his movements and paint brush.
Take a look behind the curtain to see the vast history and recent renovation of one of Rochester, New York's most famous landmarks. Architects, theater personnel, historians, community leaders, and citizens provide in depth insight from start to finish in one of the most extensive renovations the city has ever seen.
An experimental, visual, and poetic study about bodies, stitches, and repair. A sensory exploration of fragmentation and reconstruction. The body, real or symbolic, is treated as a surface to be opened, sutured, and reimagined. Using textures, objects, and silent rituals, the film contemplates the tension between vulnerability and resilience, between decay and the desire to mend. It is not about narrative, but about sensation. Not about answers, but about the act of touching what is broken.
Reliefs: a stereoscopic symphony of the city of Toronto.