Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
Trâm Anh Nguyễn
as Himself
Make your adjustments.
A man and his spirit navigate in harmony with nature. By day, by night, by the upheavals of unpredictability, he navigates the river as we all navigate our lives.
C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.
Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.
Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.
This feature-length documentary brings together six of the rare television interviews given by Gilles Groulx between 1966 and 1983. Through these interviews, the filmmaker's ethical and aesthetic concerns are revealed. A striking coherence emerges in his thinking regarding his conception of cinema and the role the filmmaker should play in his culture and society.
An in-depth look at the recent legal battles and accusations surrounding hip-hop mogul Sean "Diddy" Combs; diving into the key details, the impact on his career, and what the allegations mean for his future.
This documentary explores Life and Art of Queen bassist John Deacon.
There's more than cops and robber stories at stake in this heartbreaking and dramatic film about Norwegian Mina with the kind heart who starts a radio station for (and with) prison inmates. Can she find the line between life and work when an unexpected tragedy strikes?
The documentary is about an old man from Yerevan who paints on garages, transforming rusty metal walls into vivid landscapes and leaving a subtle yet unforgettable mark on the city.
An "Ock-umentary" exploring the character of Doc Ock and the way he as well as his tentacles were brought to life on the silver screen.
A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.
