2018: 11 Dias na Coreia do Norte

Nhãndê kuery mã hi'ãn rivê hê'yn (Não somos apenas sombras)

Procura-se Meteorango Kid: Vivo ou Morto

Meteorango Kid – O Herói Integalático, by André Luiz Oliveira, is a cult movie made in Bahia, awarded at the 1969 Brasília Festival and censored by the dictatorship. Meteorango Kid: alive or dead is a documentary about the film and its effects on the lives of other artists. André Luiz and musician Tuzé de Abreu, in the company of friends from the generation who used to go crazy, guide us in this search and reveal the mysteries of the invention of this iconic character of countercultural youth.

Não Me Pare Agora

Nem Tudo se Desfaz

How twenty cents began a conservative revolution.

Les lumières

How can we rethink our ways of learning and transmitting knowledge? This film answers this question through the creation of a unique bachelor’s program: the Arts and Sciences Bachelor. The origin of this bachelor lies in the uprising against the 2009 reform of the university. During three years, students explore knowledge through the intertwining of different subjects. Indeed, they discover every aspect of color in sociology, chemistry, and literature. By following four students from their first to their third year, the film explains to the spectator how this bachelor program works. Les Lumières offers a reflection on transdisciplinarity.

Horror-on-Sea: 13 Bloody Years

A documentation and celebration of 13 years of the Horror-on-Sea film festival in Southend-on-Sea, Essex, U.K.

The Weight of the World

Models, calculations, samples: the facts about climate change are on the table, but politicians refuse to acknowledge them. Faced with this dilemma, three scientists decide to leave the laboratory and become activists. Maria, Sebastian, and Nana use their knowledge to maintain integrity between emotion and reason.

Après eux, qui va raconter l'histoire ?

French documentary that explores how the third generation deals with the memory of the Holocaust. It follows grandchildren of survivors—Camille, Frankie, Théo, and Mathis—as they inherit family secrets and the responsibility of bearing witness to this trauma

Lopper

Mayami nuestro

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.

Película Cero

Before leaving adolescence behind, a group of students split into fictional characters to film their transition into adulthood. Between cameras, confidences, and a shared journey to the mountains, the film captures the tremor of an ending and the glimpse of another beginning.

El afinque de Marín

El afinque de Marín (1979) is an iconic Venezuelan documentary directed by Jacobo Penzo that explores the life, culture, and popular music of the Caracas neighborhood of Marín. Far from being merely a film about music, it delves into the social roots and collective identity of the barrio, using rhythm and everyday life as a lens to reveal the bonds, struggles, and shared histories of its inhabitants. Through its intimate portrayal of people, sounds, and spaces, the film becomes a vivid testament to popular culture as a living expression of community and belonging.