Ballet Mécanique

Un Chien Andalou

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

Kewaaj

The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index.

The Guns of James Bond

Short 1964 black-and-white documentary featurette hosted by Sean Connery and featuring the real-life inspiration for the character of Q, Major Geoffrey Boothroyd with a discussion of the gun weaponry used by James Bond.

High Cities of Bone

Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.

No Crying at the Dinner Table

Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.

Now Is the Time

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

This Ink Runs Deep

In this documentary by Asia Youngman, Indigenous artists throughout Canada strive to reclaim their cultures and identities through a reawakening of tattoo practices, both traditional and contemporary.

Trolls: Travel Through Troll Village

Cloud Guy takes you through key locations created by the amazing artists at DreamWorks Animation.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Berlin: Symphony of a Great City

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

To Thine Own Self Be True

An experimental study of nature through three stories and how we have destroyed it.

It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live

Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.

Une histoire très simple

The Moon’s Milk

At a time when the moon could be reached by ladder, Captain Millipede, his daughter, a deaf milk miner, a beautiful accordionist, and a wannabe pole dancer make their final expedition unaware of what they had, blind to what they'd lose.

A Palace Uprising

The two brothers Qetsor and Erlet often break their friends' toys. One night, Qetsor watches a dream in which the toys rebel against him.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Casual Workers

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

Superheroes without Superpowers

The main (super)hero of Beatrice Baldacci’s documentary is a person depicted as the sum of her memories. The story of the director and her family is told in the first person, with home VHS recordings that show both Beatrice’s mother and Beatrice as a child taking on the role of an agent of memory. Outdated technology transforms the events of twenty years ago into an archaeological object.

After Two Hours, Ten Minutes Had Passed

Time as punishment — of juvenile inmates and bodies that become heavy in prescribed spaces.