Gabriel Pardo Martínez
as Gabriel Pardo Martínez
El Sweet
as El Sweet
La Mora
as La Mora
Angelita
as Angelita
Groucho
as Groucho
Javier Blanco Armada
as El Caña
Uxía
as Uxía
Rita
as Rita
Patri Grande
as Patri Grande
Raquel
as Raquel
A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.
An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.
Province of Lugo, Galicia, Spain. A year in the life of A Fonsagrada, a rural region whose inhabitants live both near and far from urban civilization; a praise of the distance that crosses the four seasons of the year, whose inevitable passage transforms both the natural environment and the existence of people, a simple, dignified and peaceful existence.
After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.
A unique cinematic experience that invites audiences on a vibrant journey through the life of cultural icon Pharrell Williams. Told through the lens of LEGO® animation, turn up the volume on your imagination and witness the evolution of one of music's most innovative minds.
A snooze alarm clock cannot wake a sleepy person. The bell of the alarm clock hence becomes a hypnotic trigger. Such an ordinary sound is redefined in our drowsy moments, and we are also liberated from the sounds that condition our lives—queue management systems, electric scooters, air raid drills, and public demonstrations. These sounds are released from the soft soil of our consciousness and grow into a new scene. And we sail with those who cannot be awakened on a boat drifting off course into a new realm projected by frequency. This is a film you can watch with your eyes closed.
SYNCHRONOUS is an intimate portrait of love and the reverse side of love: mourning. The granddaughter/maker looks idealistically at the endless love between her grandfather and grandmother. When her grandfather dies, she decides to look for answers by filming her grandmother. What happens when you've been together all your life and your great love dies? Where is the love then?
Having lost her memory, A. could barely recall glimpses of her childhood in Argentina. After her death, her son visits the empty house for the last time. A sensory journey through a house without objects but filled with memory.
The Red Tide follows a life changing move to Florida. Exploring a new home located near famous earthworks by Robert Smithson, the enormous art collection-turned-museum of John Ringling, and beaches plagued by a toxic phenomenon called the ‘red tide’. Beginning with a recreation of Nancy Holt and Robert Smithson’s 1969 film, Swamp, the film describes a confusion between multiple anxieties: art’s legacy, climate change, and a longing to stay connected. Taken From Sally Lawton's Website: http://www.sallylawton.net/the-red-tide.html
A personal documentary questioning the ways in which family imposed narratives force us into roles that we spend our lives either rebelling against or conforming to.
Jazz, dreams, and hope. The protagonist of the film is Wiesław Mrzygłód, a musician and artist. He has an extraordinarily positive attitude to the world, life, and music. In the 1980s, together with the Old Dixieland Players, he played at the most important jazz events in Poland and Europe. Despite doctors' opinions, he says, "Someday, I will play again." He refuses to give up. The film was made using analog and combined techniques, based on drawing using oil pastels, prints, and re-filming methods.
Filmmakers Sam and Amy journey into rural Australia to explore how the legacy of an American legend has transmitted and warped itself over time, and across the globe, resulting in the 30th annual Parkes Elvis Festival.
In 1970s California, a serial killer dumps young boys' bodies along the freeways. An L.A. street reporter on the case receives information that embroils him in the dilemma of a lifetime. Decades later, lost confession tapes help experts uncover the truth.
A short film following Anthony, a young child from the small, rural town of San Antonio de los Baños, Cuba. We see him in different moments of his daily life as he interacts with different forms of environmental, familial, and social influences. While Anthony displays contradictory traits of creativity, destruction, rigidity, and tenderness as he interacts with his external and internal worlds, we see a story built from the the multidimensionality of Anthony's layered personality as a young man.
José Luis López Vázquez, an essential artist in the history of Spanish cinema, manages to find a late love that changes his life, after having a successful professional life for years, but a rather neglected personal life.