A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.
Alejo Góngora
as Viajero / Payaso (voice)
Inside a block of flats, a young woman decides to act about something concerning her for a long time.
The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.
Costante dies and leaves his wife Torella his computer discovery. Torella entrusts the disk to her husband’s friend Gervasio, a lazy man scorned by his family. Twenty years later, Torella tries to get back the disk but Gervasio, who has become rich thanks to the discovery, agrees to go to court over it and comes away the winner. He therefore summons divine misfortune: he loses his third son, suffocated by wealth; kills his wife in a blind rage; and is executed by his first-born son who, after a violent panic attack and reckoning with his conscience, chooses life.
A man is sick and he doesn’t show himself. Three people don’t go to visit him and they show themselves.
Jack O’ Lantern folktale about the origin of the Will-o’-the-Wisp retold through a haunted doll’s mind’s eye.
In the land of the slides, three handicapped plot against people with two legs.
Moses searches for history into palletes.
Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
Robert Estragon has worked his way to the top of the food chain as a doctor in the city, but it has driven him to self-imposed delusion. Here, we listen as he sits and projects himself onto the mad world he observes. It all comes to a head when Willie Krapp, a young colleague, invades this world, hoping to teach Robert that it was wrong to let his own daughter die in the operating room.
The story of a girl, after a breakup, removing her makeup and finding herself again in grief. About life, places, being yourself wherever you are, in love, and not losing yourself, moving through things. "Balaclava Quemado is about not ceasing to be yourself no matter what situation you find yourself in; with or without wearing it, it's the strength to keep going, it's a bit of a symbol of taking the freedom that one can and carries within." Daniela.
A scientist returns an alien egg back to its mama.
A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
A woman struggles to find balance in her own relationship with nostalgia while unravelling the fate of a childhood friend who vanished after becoming consumed by it.
Direct animation on 35mm.
"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.
Psychological drama following a young dancer.
2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.
Birth growing and gathering of a family which is not even an average one