Perry Como celebrates an early American Christmas in Williamsburg VA with John Wayne and Diana Canova.
Perry Como
as Self
Diana Canova
John Wayne
Kylene Barker
as Self - Miss America 1979
Eugene Fodor
Filmed at their Royal Albert Hall debut gig in September 2000, Bond Live is a slick showcase for four classically trained, ex-session musicians and their fusion of string quartet and rock music. Whatever the hype (four beautiful women wearing scanty tops and dancing with violins while backed by a five-piece rock combo and a small, rarely seen string section), it has nothing to do with making classical music cool and everything to do with sex. In "Duel," first and second violins Haylie Ecker and Eos trade licks "guitar-hero" style, and most of the tracks are new instrumentals written for the album Born, though "The 1812" does manage to reduce Tchaikovsky's overture to a five-minute dance number. With rock-show lighting, synthesizers, dance beats, and a finale involving the "James Bond Theme" followed by a Rio-style fiesta for the closing "Victory--Carnival Mix," this is camp, melodramatic, sexy fun.
After the success of the live 1957 Cinderella on CBS (with Julie Andrews), the network decided to produce another television version. The new script hewed closer to the traditional tale, although nearly all of the original songs were retained and performed in their original settings. Added to the Rodgers and Hammerstein score was "Loneliness of Evening", which had been composed for South Pacific but not used.
While touring a museum, Rodney Hatch, an unremarkable barber, places an engagement ring intended for his girlfriend on the hand of a statue of Venus, the goddess of love and beauty. From Mount Olympus, Venus witnesses the event and decides to visit Rodney on Earth by magically inhabiting the statue. Hilarity ensues when she starts to fall in love with Rodney and competes with his girlfriend for his attentions. This television version of Kurt Weill's successful Broadway musical is much more faithful to the stage version than the 1948 Ava Gardner film, which changed the story considerably and cut most of the songs.
Joel and Julia return for a holiday singalong variety special for the ages! They've been awoken from permanent sleep by Santa and they've found themselves in a cabin owned by the Christmas Witch. They find out that the Christmas Witch's clams have lost their dingle bongle (aka. Christmas Spirit) and they set out on a musical journey to help them get their dingle bongle back.
A benefit concert and telethon organized by George Clooney and broadcast uninterrupted and commercial-free by the four major television networks just 10 days after the September 11, 2001 attacks on the World Trade Center and The Pentagon to raise money for the victims and their families,
Barbra Streisand's first television special, featuring a medley of her hit songs, such as "People," "Happy Days Are Here Again" and "My Man."
Cynthia Erivo and Ariana Grande lead a one-time-only, two-hour special featuring electrifying performances alongside their Wicked: For Good co-stars for a night of reimagined musical arrangements, cast interviews, behind-the-scenes moments, exclusive surprises, and a sneak peek at Wicked: For Good.
A musical tribute to the piano's 300th anniversary celebrates the legacy, grandeur and showmanship of this instrument. Hosted by "Piano Man" Billy Joel and taped before a live audience in Washington, D.C., this special mesmerizes audiences with its grand salute.
British superstar composer Andrew Lloyd Webber is feted in this 50th birthday benefit gala produced by Lloyd Webber's own theatrical company at London's historic Royal Albert Hall. The tribute includes highlights from Lloyd Webber's blockbuster stage hits, including The Phantom of the Opera, Cats, Evita, and Sunset Boulevard. An eclectic performing cast filmed live during the event features Tina Arena, Michael Ball, Antonio Banderas, Boyzone, Sarah Brightman, Glenn Close, Julian Lloyd Webber, Marcus Lovett, Lottie Mayor, Dennis O'Neill, Donny Osmond, Elaine Paige, Ray Shell, Kiri Te Kanawa, and Bonnie Tyler
A musical holiday special aired on CBS.
In April 1966, Cilla opened in a 3-week cabaret season at London’s Savoy Hotel. On her final Sunday, she starred in her own television special produced by her manager Brian Epstein’s film company, Subafilms. It was the first colour television show of its kind to be made by an independent producer in Britain. The show was broadcast in the UK in black & white but aired in colour in The Netherlands and the USA. ‘Cilla at the Savoy’ was one of the most watched television specials of the 1960s.
When the sour-sweet wind starts blowing again, the Whos retreat to their homes because they know the Grinch will soon be a'prowlin. Young Eukariah Who has to make a trip to the Euphemism (outhouse), when the wind blows him away to a confrontation with the gruesome Grinch. Eukariah decides that the Grinch must be stopped, so he faces his fears and confronts the Grinch and his spooks.