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Cézanne: Three Colours Cézanne

"Three Colours Cézanne" analyses the radical nature of Cézanne's painting, tracing its origins in the art of the nineteenth century and the work of the Old Masters while examining many of Cézanne's works in detail.

M. (Manuel Moldes, Pontevedra Suite, 1983-1987)

Portrait of the painter Manuel Moldes, from Pontevedra, Spain, about the work he does in the preparation of a retrospective of his work.

Pierre Richard, le discret

A documentary directed by Gregory Monro.

Horizon

Oscar-nominated director Fridrik Thor Fridriksson and co-director Bergur Bernburg helm this lovely documentary portrait of influential Icelandic landscape painter Georg Gudni.

Coluche, la France a besoin de toi

I fratelli miracolosi

The Legend of the Miraculous brothers according to the paintings of Beato Angelico.

General Idea: Art, AIDS and the fin de siècle

"GENERAL IDEA: Art, AIDS and the fin de siècle is a humorous, informative and ultimately poignant documentary about General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this story of art and sexual politics. GENERAL IDEA: Art, AIDS and the fin de siècle is a tale of love, fame, overwhelming loss and, ultimately, renewal." -AGO.net

Bacri, comme un air de famille

Jean-Pierre Bacri was never happy about anything. But beyond the caricature of the grumpy man, from his apprenticeship years to his death in January 2021, this film tells the story of this quintessential Frenchman: a man turned towards others, an actor by accident, a moralist by vocation, who was left unaffected by flattery and false honors by success, and ready for all kinds of anger when it was necessary to speak out against injustice and stupidity. The film tells the story of how Jean-Pierre Bacri's life changed several times: from Algeria to France when he was eleven years old in 1962; from bank clerk to apprentice theater actor; from Pieds-noirs film star to screenwriter for Alain Resnais; and from Cannes playboy to Agnès Jaoui's mad lover, the most decisive encounter for his life as well as for his work

Dreaming in Black and White

Dreaming in Black and White is a portrait of Singapore artist Tang Ling Nah. The film takes us on a journey into Ling Nah’s inner world—her memories, dreams and angels, and her fascination with black-and-white media, drawing charcoal and the city’s transitional spaces. The film explores her practice over the last 15 years and hints at the possible new directions in her art career. It highlights Ling Nah’s courage to pursue her dream to be an artist, the choices and sacrifices she has made, as well as the challenges of being a woman artist in Singapore and her regrets in this journey. The film’s dream-like form mixes documentary, fiction and animation. It blurs the boundaries between us, Ling Nah’s art and her deepest being. Ultimately, it celebrates our dreams—and reassures us that dreams do come true if persevered.

Edward Hopper: Passing Time

Profile focusing on the life and work of the American realist painter, Edward Hopper. His subject is the face of America - haunting, unforgettable images of late-night bars, lonely hotel rooms, sunlit buildings and isolated figures.

Whispers Through The Skin

Watercolor Painting: Creative Color Collage with Edward Betts

Follows artist Edward Betts as he seeks a new design motif among familiar monoliths of stone. Shows how he develops his sketches into a cohesive design.

Heaven and Earth and Joe Davis

Filmmaker Peter Sasowsky examines the life and work of artist Joe Davis

Geniale Frauen - Malerinnen von der Renaissance bis zum Klassizismus

Masterpiece or Forgery? The Story of Elmyr De Hory

Elmyr de Hory was called "The Myth of our Century" when he was revealed as a master forger in 1968. Born in 1905, he made an estimated 1000 fake paintings, primarily in the style of the post-impressionists before he died - or disappeared - in 1976. In addition to faking paintings, Elmyr de Hory often faked his own identity, and traveled easily throughout Europe's high society.