Can Dean get an erection in time to save his relationship?
Luke Macfarlane
as Dean
Bonnie Swencionis
as Selby
After her parents' death, Victoria ends up in the care of a distant relative, a strict Woman who is convinced that the erratic behavior and sickly appearance of the girl can be corrected by traditional treatments and a regular attendance to church. But Victoria doesn't get better and the Woman's cheek tooth starts to ache. And the more frequent Victoria's visits to the garden shed become, the worse her pain gets.
After drinking heavily and getting stuck in a YouTube hole of "It Gets Better" videos, a man reflects on his life and decides to tell his own story.
A desperate computer scientist struggling to fund her anti-depression AI application faces her toughest challenge yet.
Alba, an elderly woman living with her daughter, is unhappy with the way her daughter’s partner treats her. When she finds herself alone with him, she will have to decide how far she is willing to go in order to save her most loved one from a life of suffering.
An American voice-over artist in London finds himself questioning his life of hookups and emotional avoidance when he receives an unexpected visit from his mother.
It's 1992. Martin is 17 and he films his daily life with his Hi8 camera. He films anything and everything—his room, the world around him... But never his father, the thought doesn't occur to him. One day he meets Dominique. He's 23 and works as a student monitor at Martin's high school.
The (mostly) true story of the greatest jazz drummer you've never heard of who stumbled upon a 16-year-old singer and nurtured her into a legend.
John despises his father for being a failure in life. When John returns home to facilitate his father's funeral, his life comes to a turning point, as he discovers the true motivation of his misjudged father.
Isolation and loneliness converge on an unexpected journey when intrigue and new come to town.
An alcohol advertisement cut to look like a movie trailer.
Separate We Come, Separate We Go is the story of a 10-year-old girl, Thea who escapes her bleak domestic life to find sanctuary in the surreal desert landscape of Dungeness. Roaming around the barren skeletons of boats and abandoned fishing huts, she is increasingly aware of her loneliness and vulnerability. Seemingly out of nowhere a man (David Thewlis) appears; she is so intrigued by him she defies all lessons taught about strangers and approaches him. As they walk and talk she discovers he is a widower and has lost his son; she realises she is not alone in experiencing loss. He notices her sadness and unusual maturity and decides to help lift her out of her melancholy. Through the metaphor of the freedom of flying birds, he shows her that life does have exciting possibilities. This redemptive story shows that in life you should not allow fear to limit your horizons.
SURVIVOR TYPE is the story of Richard Pine, a man who wakes up alone on a small, deserted island in the middle of the Pacific with no food, few supplies, and no obvious means of escape. How did he get there and how far is he willing to go to survive?
A man ran into a woman on a street. She was not attractive, but was a perfect girl for him. After missing the chance to talk to her, he contemplates on how he should have approached her.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Jocelyn works at her Uncle's 'Crying Booths' in the country, while crying is forbidden in the cities.
Under the leaden sky of a summer day, Eric goes to work to defend a great issue. But, blinded by stress, Eric is forgetting the most important thing...
We Are Not Here is a short film about a small derelict town, waiting for a road. Through a series of vignettes we take a glimpse into the life of the town and its residents.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
