Witnesses have reported seeing upright-walking canids in Texas. Fact or fiction? Seth Breedlove continues his investigation in to the werewolf phenomenon.
Shannon Legro
as Self
World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?
A newly produced, feature-length documentary by filmmaker Daniel Griffith, featuring interviews with John Landis, David Naughton, Joe Dante and more
A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity, and the murderous federal fugitive at the center of it all.
Each year dozens of encounters with upright canids are reported in North America. These beings often behave in similar ways with many reports recounting a creature that is aggressive, ghastly, and disturbing. While many theorize that the Dogman is some sort of unidentified species of animal, many believe that what they were confronted by was something else. Something more.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
The many lives of Henry Azadehdel, aka Armen Victorian, aka Henry X, as told by the peace activists, UFO researchers, botanists and everyday people who encountered him - whoever he was.
In the heart of southern France there is a fog-prone area where, according to legend, a bloodthirsty creature wreaked havoc 250 years ago. A rumor is spreading again in this legendary place, as eyewitnesses report an animal with large paws and a long tail that crosses roads in a single leap - powerful enough to tear down a horse and leave it mutilated in the pasture. Is the Beast of Gévaudan back? The animal photographer Bruno Loisel has a supposedly more rational explanation. The animal that fits the descriptions could be a cougar, but this species of big cat is only native to America. In order to learn the proper techniques for tracking down the puma, he travels to Canada, where he accompanies a team of researchers dedicated to studying the shy, almost invisible predator. Will Bruno be able to use his findings to solve the mystery of the new beast of Gévaudan?
Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
A journey to the heartland of the Midwest for an in-depth look at an ongoing phenomenon: one of the most recent and popular stories has been an ongoing wave of sightings of a red-eyed, shapeless creature dubbed the Chicago Mothman.
Shot in Southern England over the course of six weeks by a crew of three American filmmakers, CircleSpeak offers a nuanced look at the passions and beliefs of the people immersed in the crop circle phenomenon during the season of 2001. This feature-length documentary presents interviews with serious “researchers”, self-proclaimed “hoaxers”, local farmers and villagers who are all, in one way or another, involved in this strange and compelling summer spectacle taking place year after year.
Host Paul Davis takes a trip through some of the iconic backdrops of John Landis' 1981 werewolf classic An American Werewolf In London. The original cast and crew tell the story of how the film was made over a quarter of a century ago featuring rare footage and never before seen photos.
An affectionate look back at the life and career of Paul Naschy from those who worked with him, admired him and spent time with him. Produced for the Arrow DVD release of The Man with the Severed Head (AKA Crimson).
Travel into the abyss and transform your mind with chilling investigative campouts and tales from real people with real experiences to uncover the Secrets of the Sasquatch.
In the winter of 1959, the mutilated bodies of nine hikers were found in the Ural Mountains of Russia. Were they slaughtered in cold blood by a yeti? If so, what drove this legendary beast to kill? Shocking evidence sheds terrifying new light on the Dyatlov Pass incident.
Filmmaker Ward Hiney and journalist Chad Christy aim to figure out the truth behind werewolf sightings in Pennsylvania.
Using clips from classic horror films and contemporary interviews, this cable-TV documentary tries to separate truth from fable in discussing vampires and werewolves -- a task that often proves impossible. After noting that fear of the supernatural stems from mankind's basic terror involving darkness and awe of the moon, the film ticks off several documented cases of "actual" blood sucking and lycanthropy. Among those interviewed are weapons experts, scientists, sociologists, and movie buffs, as well as a few hardy souls who claim to be genuine Dracula and Wolfman clones. Originally slated to air during Halloween weekend in 2003, Fang vs. Fiction: The Real Underworld of Vampires and Werewolves was moved forward two months as an extended promotion for the upcoming theatrical feature Underworld, which, of course, dealt with the same terrifying subject matter. [Hal Erickson]