Massive: The Story of West Ham United's UEFA Europa Conference League triumph

Underdog: The Andy Swallow Story

From hooliganism and violence through to the ecstasy and the rise of rave culture, Andy Swallow, co-founder of West Ham's ICF and later Centreforce 883, opens up about his life for the very first time.

Agents of the Shadows

Thirteen intelligence agents who have worked on secret missions for Frances DGSE tell their accounts of recruitment, training, and their fears and victories of acting undercover, as well as the effects on their private and personal lives.

A Gamer's Life

Go behind the scenes to uncover the truths of being a professional gamer for a living. Can you really make a living from being a gamer?

Imperfect Journey

Haile Gerima and Ryszard Kapuscinski travel around Ethiopia talking to people about their current situations and what needs to be done for a prosperous country.

Images of Women of the Social Corset

A man asks himself about the image of women who are offered for his gaze. A documentary about the image of women in fashion, film, and life.

Fontelonga

Fontelonga is a village of Trás-os-Montes, in the interior of Portugal. A mirror of exile in the eyes of their own people. A reflexion where memory is the last object of beauty and redemption.

Cinéastes de notre temps : Erich von Stroheim

How I Learned to Love the Numbers

A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

Filmmakers of Our Time: François Truffaut or the Critical Spirit

Ingmar Bergman: The Magic Lantern

The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes behind the scenes "home movies" from Bergman's personal archive, interviews with Bergman recorded over his 40 years in the film industry and passages from his autobiography read by Max von Sydow and Bergman himself.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia Part One: Festival of the Nations

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Olympia Part Two: Festival of Beauty

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

We're in Business Too!

Sets out to persuade businesspeople of the advantages of going from city to city by train. How it gives them time to relax, work or sleep in comfort.

Solutions?

A musical illustration of life, where road traffic chaos breeds anger and frustration, but the rail network is fast, smooth and relaxing.

Track 125

The complex technology of modern rail track is shown, covering component manufacturers, current methods of laying track and its maintenance.

Biker Fox

Frank P. DeLarzelere III, a middle-aged car part salesman, operates as a motivational bicyclist under the pseudonym Biker Fox. He soon reveals his misunderstood personality and various complexities all while attempting to conserve local wildlife, overcome harassment by law enforcement, deal with his brash mood swings and become a public figure in his hometown of Tulsa, Oklahoma.