A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.
Gael Jara
as
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
After the publication of a CD book with the poems of Leopoldo María Panero, musicians Carlos Ann and Enrique Bunbury travel to the Canary Islands to meet the "cursed poet", who is hospitalized in the psychiatric hospital of Las Palmas.
In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.
Through an intimate conversation, Steph Jane, age 28, shares the struggles and lessons her second diagnosis of stage-4 cancer has taught her. From being genuinely present and savouring simple moments to thoughts of the future and what really matters, Steph reveals beauty and wisdom which transcend appearance and years.
In the first person, a documentary that shows us the experience of Vida Rodriguez, formerly Inocente Duke, in situations that the Trans Law favors: what happens when entering a sauna, locker room, or a public service (even in the Congress of Deputies). An experience that, with respect and large doses of humor, brings us face to face with a law and its difficulties in its implementation.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
Upon discovery of a shard of what could be the Loc-Nar, a miner named Tyler becomes possessed with an insatiable hunger for power and a thirst for immortality. On his way to the planet of youth, Tyler wipes out most of a space colony and kidnaps a beautiful young woman. His only mistake is that he doesn't kill her sister, Julie, who then sets out on a mission of rescue and revenge.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
A pampered gentleman's seamlessly automated life is thrown into chaos when he pursues a free-spirited woman, against the advice of his robot butler.
Amber belongs to a queer generation which no longer wants society to dictate their identity. The teenagers proudly inhabit a spectrum of fluid identities and master their first loves and losses.
Desperate to escape her reality, a young woman discovers a program that immerses her in her own subconscious through a myriad of virtual personas.
The intimate journey and unpublished backstory of BeBe Zahara Benet – a charismatic drag performer originally from Cameroon, and the very first winner of the culture-changing phenomenon, RuPaul’s Drag Race. With over a decade of unprecedented access, we observe BeBe’s struggles with celebrity, authenticity, success, and failure.
'The angle of the world allows us to see the real as an outer and inner presence at the same time, an opaque otherness, yet capable of becoming an intimate space. These incommensurable lengths and distances of an interior that opens up: The mysterious movement of the clouds, the cadence of the waves against the light, or the silent slippage of a barely identifiable human silhouette, everything seems transfigured, derealized and reinvented by light in a poetic world that evokes the paintings of Turner or Friedrich, the writings of Poe or Baudelaire.’ — Violeta Salvatierra
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Teguh was dishonorably discharged as a policeman due to his sexual orientation. With the support of his partner Tonny, Teguh decided to purue justice by bringing his case to court, an act that has never been done before in Indonesia from the LGBTQI+ community. From this, the question arises, why would he put himself in potential danger by going against the institution? The film tells a love story between Teguh and Tonny, which becomes the foundation of why this fight needs to be fought for.