The stooges need money for their father's operation, so they head for the country to prospect for uranium. Instead of uranium, they discover oil on their father's property and all their troubles are solved.
Joe Besser
as Joe
Larry Fine
as Larry
Moe Howard
as Moe
Young employee Devon meets with his superior Jack for a company mandated Wellbeing Assessment.
Arrogant Don Emilio is a rich man who have maids, a private nurse Nikki, and later a sexy, personal secretary Susie at his disposal. He has two brothers, Dodong and Egay who have sinister thoughts on him, as they want his riches. After some slapstick mishaps and when the Don seemingly went bankrupt, he left his mansion to live with the two but experiences unfair treatment. He ended up living with his stepbrother Edwin in the slum, but his arrogance and his annoying cohorts resulted to differences with Edwin and his girlfriend Girlie. Unbeknown to them, Don Emilio is actually playing a scheme of his own to determine which brother really cares for him the most.
A tall, shy and reserved young actor accidentally signs himself up for a wrestling match.
A radio salesman gets knocked out by a golf ball and dreams he's in the desert where he sells radios to sheiks.
Walter Winchell meets a budding country journalist and shows her around the Biltmore Hotel.
Neighborhood cats come to the tiny Ko-Ko Theatre to watch Ko-Ko and Fitz stage a variety of entertaining acts, from acrobatics to high-diving to statuelike tableaux vivants.
Love has a price in this quirky sex comedy. Sten is a 30- year-old librarian. Over a book he meets supersexy Katja, the woman of his dreams, and they soon end up in bed together. It's love at first sight, but the next thing he knows, Katja wants money every time they make love. Otherwise their relationship will become trivial, she says. Reluctantly Sten agrees, but then Katja puts up the price.
When Madame Adelaide Bonfamille leaves her fortune to Duchess and her children—Bonfamille’s beloved family of cats—the butler plots to steal the money and kidnaps the legatees, leaving them out on a country road. All seems lost until the wily Thomas O’Malley Cat and his jazz-playing alley cats come to the aristocats’ rescue.
Once upon the time on a small island named Taiwan, a neighborhood magistrate receives a secret message from space. 'The apocalypse is near...' the magistrate warns his people, however nobody seems to take his words seriously...
In this mock opera infused with gallows humour, Ronnie Drew and his band of bohemian merrymakers, The Dubliners, re-enact the execution ballad ‘The Night Before Larry Was Stretched’. Larry finds himself caught in a hangman’s noose as just reward for being ‘the best burglar in all Ireland’. Made in 1965, the film remained uncompleted and unseen until its restoration in 1998.
Manas is hired to work for master Tatos till the spring, "when the cuckoo will call". There is one condition of the contract: if anyone of them gets annoyed with another, he loses everything. Unable to stand the day-and-night work for stingy master, Manas leaves without a pense of salary for months work. Next servant who knocks at Tatos's door is Manas's small brother, smart Simon.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Children’s birthday parties are most parents' worst nightmare. While the kids play frantically and raise their blood sugar levels, the adults are condemned to a succession of dull conversations about the weather with people they barely know. Not on this birthday party though. Here there is a delightful way for them to break the ice.
In these three short films, we examine key issues in the American cultural conversation—incarceration, race, life, death, digital culture, gender—through a distorted lens. They may be fictional, but these dizzying one-take videos do have the ring of truth.
Joe McDoakes attempts to deal with his myriad neuroses.
