Everything In Between

The Men Who Made the Movies: Samuel Fuller

Samuel Fuller discusses his career as a filmmaker, illustrated by plenty of clips.

Kathryn Bigelow: Hollywood Adrenaline

For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.

Against the Tide

A remote and wild island on the west coast of Scotland is home to a small group of people that live in deep connection with the land, the sea and the weather. For different reasons, they left their city life to escape their inner demons and to live as eco-friendly and sustainable as possible.

Spring by the Sea

Alternating Philippines and Saudi Arabia as her home, the filmmaker uses personal home videos and present footage to tell the story of her family.

Shohei Imamura: The Free Thinker

Documentary about Japanese film director Shohei Imamura.

A World Under Glass

A married couple working together at a pinball museum explore the state of pinball and what it means to them.

Kewaaj

The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index.

A Night Song

A patient camera glides over the everyday objects: still lives on the wall, flowers in the vase, a swaying drop light. The sun enters the cosy home where Noëlla sits smoking at her laptop, playing Solitaire. The situation is hopeless. She’s going to lose against the computer once again. All the while her son-in-law, Pierre, is organising everything she needs, pragmatic and friendly: breakfast, the (last) doctor’s visit – and then the transfer.

It Conquered Hollywood! The Story of American International Pictures

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

Across the Rails

2021 was a turning point for Belarus and 6 Belarusian students - as well as for the city of Łódź, Poland, in which they found themselves. Across the rails of change and transformation, documenting a time that has not been before and will not repeat again. Heroes of the film have very different fates and experiences, but they are all connected by the place they found themselves in - the post-industrial and post-apocalyptic city, which becomes a part of their story and a hero of its own. Students, transport, quaters, youth, revolution, local apocalypse, changes and turns - they all mix in a documentary kaleidoscope 'Across the Rails'.

The Haunting Lodge

Filmmakers stay at a haunted lodge and find themselves in over their heads when they encounter something otherworldly.

Casual Workers

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

Plan 9 From Syracuse

On August 15th, 2006, filmmaker Ryan Dacko set out to get a 30-minute meeting with a major Hollywood producer by running on foot from Syracuse, New York to Hollywood, California.

Mantrap – Straw Dogs: The Final Cut

Documentary about the making of Sam Peckinpah's 1971 film "Straw Dogs."

Cinecittà, de Mussolini à la Dolce Vita

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

Cinéastes de notre temps : Norman McLaren

Cinema Now

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

Solidão no Fundo da Agulha

Noche de agosto sin luz