Enriqueta Barranco Castillo
as Ella misma
Ina Gámez
Francisco Carrión Méndez
as Él mismo
The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.
In 1971, graduate student Gloria Orenstein received a call from Surrealist artist Leonora Carrington that sparked a lifelong journey into art, ecofeminism and shamanism. This short film uses art, animation and storytelling to celebrate this wild adventure. Now more than 40 years later, award-winning Dr. Gloria Feman Orenstein is a feminist art critic and pioneer scholar of women in Surrealism and ecofeminism in the arts. Her delightful tale brings alive an often unseen history of women in the arts.
Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.
The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.
In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.
All the legendary women of rock 'n' roll are brought together in this stunning collage of artists and their music. Through a music-driven mix of rare historical footage, music videos, riveting live performances and personal interviews, the lives and times of the greatest women in rock history are revealed.
Obsessively referring to the traumas and wounds that the Spanish civil war (1936-39) and Franco's dictatorship (1939-75) caused in their day no longer serves to explain the impassable abyss of incomprehension and hatred that the abject policies and radical positions adopted by both the right and the left in recent decades have opened up before the citizens of a country that is barely known beyond hackneyed cultural clichés.
This documentary features sexologist and writer Betty Dodson as she assembles a group of women to discuss the appearance and purpose of female genitalia. The discussion is followed by some group self-stimulation exercises and full-body massages.
An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.
Personal stories taken from a survey on how women's lives are affected by a culture obsessed with body image and thinness.
Franco on Trial is the new film by Dietmar Post and Lucía Palacios. After the success of Franco's Settlers, their first encounter with Franco's dictatorship, they are now setting their sights on one of the darkest chapters of European history: the presumed organized extermination that took place during the coup, the war, and the subsequent dictatorship led by Franco, as well as Argentina's current effort, by invoking the principle of universal jurisdiction, to prosecute Francoists accused of committing crimes against humanity. The film is also a sore reminder of an issue that still stands today: the clear-cut accountability held by Germany, Italy, and Portugal. The film accomplishes to give both sides a voice - those against whom the killing has been directed; and the side of the perpetrators.
Told by her daughter Wendy, MINK! chronicles the remarkable Patsy Takemoto Mink, a Japanese American from Hawai'i who became the first woman of color elected to the U.S. Congress, on her harrowing mission to co-author and defend Title IX, the law that transformed athletics for generations in America for girls and women.
"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).
This is a story that’s never been told. SHOW HER THE MONEY addresses how women are getting less than 2% of venture capital funding and demystifies what venture capital is. Featuring rock-star female investors who invest in diverse women entrepreneurs with innovations that will change the world, Show Her The Money reminds us that money is power and women need it to achieve true equality.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
TOMBOY explores the obstacles that young girls encounter on the recreational stage, the stereotypes, language issues and cultural disparities that follow, and ultimately the insufficient media coverage and compensation that afflicts elite professional athletes seeking full recognition for their talents. The journey of the female athlete is often discouraging, and despite progress achieved during the Title IX era, gender equity in athletics has a long way to go.
BERTHA LUTZ: WOMEN AND THE U.N. CHARTER reveals the important and unknown role of a Brazilian biologist and feminist in ensuring that gender issues were addressed at the basis of the United Nations.
During the last argentine military dictatorship, the Army developed a systematic plan for the abduction of children, with maternity wards inside the clandestine detention centers. This film proposes itself as a trip to the truth "to bring to light the places where lots of babies saw the light for the first time"; Three restored children show the part for the whole :how a genocide was orchestrated,a scheme which planned the deprivation of identity of babies born in captivity, children of illegally kidnapped and detained women.