Miguel de la Quadra-Salcedo
as Él mismo
Juan Verdugo
Jesús González Green
José Luis Márquez
A secretive hedge fund is plundering America's newspapers, and the journalists are fighting back. Backed by the NewsGuild union, they go toe-to-toe with the faceless Alden Global Capital in a battle to save and rebuild local journalism across America.
When journalist Kim Wall disappears after boarding inventor Peter Madsen's submarine, his changing story about her fate masks a terrifying truth.
Grandchild fraudsters scare their victims on the phone with so-called "shock calls". The losses run into millions. Month after month. Many victims are left severely traumatized. But the scam has a weak point. And the izzy team has found it. During a year-long investigation, izzy figurehead Cedric Schild pretends to be an elderly person and supposed victim on the phone. This not only makes for a few laughs, but also drives the perpetrators crazy - at the same time, the editorial team penetrates deep into the structures of the criminal clans. Thanks to more than 1200 minutes of recorded conversations from real shock calls, the izzy film "Die Enkeltrick Betrüger" shows all the tricks used by fraudsters for the first time and thus makes an important contribution to prevention. In cooperation with the law enforcement authorities, the perpetrators are arrested in front of the cameras.
After the discovery of a suitcase hidden in the family home of Francisco Martínez Gascón, known as Kautela, a photojournalist who lived through the Spanish Civil War from the perspective of the rebel side, his granddaughter decides to carry out an investigation into his life and work.
In a beach town on the coast of Senegal sits a basketball academy attended by the most promising players in Africa. Through the eyes of NBA Academy Africa’s players and staff, “From Africa: Pathways to the NBA” details stories of work on the court and in the classroom, the brotherhood that these star prospects have built, and their pursuit of the NBA dream.
Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.
The film looks both back and forward, examining traditions, ruptures, and reinventions. It recounts the struggle for survival in the years following German reunification, the unique role of *junge Welt* as a national Marxist daily newspaper, and its place within the Left movement—as well as the repression, resistance, and visions for the future it has encountered. It is a portrait of the newspaper, the last three decades of its history, and the people who create it.
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
Smithsonian Magazine once asked the rhetorical question, 'Can a weekly paper in rural New Mexico raise enough hell to keep its readers hungry for more, week after week?' The Rio Grande Sun, published in Espanola, New Mexico is considered one of the best weekly newspapers in the country. The Sun is known for its investigative reporting. It broke the story that its own rural community had the highest per capita heroin overdose rate in the country. It has led the fight for open records and open meetings in a county where political shenanigans are the rule. The film follows the Sun's reporters and editors as they write about the news, the sports, the art and culture of a large rural county. John Burnett, an NPR correspondent, reports on the Sun's Police Blotter--'the best in the country.' Tony Hillerman, the celebrated author and newspaper editor, speaks eloquently about the value of community newspapers. The Sun Never Sets is narrated by Bob Edwards, Peabody Award winning news anchor.
In Japan, there is an informal agreement between mainstream media and the government that is hardly ever questioned: Journalists are not too persistent in their criticism, in turn representatives of the government grant direct access to select information through press conferences. Isoko Mochizuki, reporter for the Tokyo Shimbun newspaper, has established herself as a spoilsport in this system.
A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.
Martha Gellhorn, Ruth Cowan, Dickey Chappelle: Three tenacious journalists who forged legendary reputations as war correspondents during a time when battlefields were considered no place for a woman. Their repeated delegation to the sidelines to cover the “woman’s angle” succeeded in expanding the focus of war coverage to bring home a new kind of story— a personal look at the human cost of war. Featuring an abundance of archival photos and interviews with modern female war correspondents, as well as actresses bringing to life the written words of these remarkable women.
Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.
There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...
As local newsrooms vanish, "News Without a Newsroom" explores journalism's uncertain future in the digital age. Through powerful stories and expert insights, the film examines the collapse of traditional media, the rise of misinformation, and the fight to preserve truth, trust and accountability in an era of disruption.
From falsehood to mystification to manipulation and false impartiality, the whole logic of disinformation and brutality is brought to light. When the king of the media and his politico-journalistic buffoons are sifted by a radical counter-audiovisual power, the discredit of the "elites" sanctioned by the referendum of May 29, 2005 is better understood. With this film, Zalea TV's team had decided to laugh about it and make them laugh, even if at bottom these discoveries were rather disturbing. By staging a series of very simple techniques of "self-defense", this film is an invitation to self-disengage permanently. The use of the TV-B Gone, an instrument whose sole function is to turn off the television, appears here as the ultimate resort to media criticism.