A film about the many faces of time as it flows from the future to the past, through cyclic, biological, curved and paradoxical time.
Georgia Hubley
as (voice)
Ira Kaplan
Max Rosenthal
On a summer evening, a dance in the village brings together young and old. Children, lovers, drinkers and troublemakers all revel under the night sky, accompanied by a variety of musical styles.
A young boy and his father live in a dull, lonely house with the shadow of mourning hanging over them both. The boy misses his mother but gets no comfort from his father's assertions that she went peacefully. This tragedy is added to by the family dog which is looking increasingly unhealthy.
The magical tale of a colony of mice whose happy home is invaded by a band of nasty cats. The cats rule over the house with iron claws, making the mice miserable. Follow the riotous adventures of the mice and their mighty Trojan Dog, as they defeat the cats and win back their home ... and make a few canine friends along the way!
The 25th and final film completed by Hubley, is a lyrical visual poem to environmentalism and to the Inuits' attachment to the land, and their ability to adapt to the natural world.
Two soldiers patrolling opposite sides of the border between two countries speculate on what the world would be like if there were more cooperation between individuals and nations.
Witch Madness depicts a neglected chapter of human history: Europe’s three centuries of fanatical witchhunts, which resulted in the genocide of perhaps as many as two million women. But ultimately, the film communicates a message of love and hope.
Two little girls muse on marriage and babies, love and death as they create and act out plays in their backyard. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2006.
The realms of childhood, war, and loss echo through Ricky. Double vision illuminates, and simultaneously obfuscates, what can be remembered, lost, or retrieved. A found sound recording forms the spine of the film . . . a scratched audio letter from father to son.—Janie Geiser
A study in foreground and background made with a video camera, a set of handmade filters, and a canoe.
Colors and bubbles bustle energetically via oil, ink and clear acetate.
A facially disfigured author's life with her guardian of a sister is disrupted when a stranger arrives at their door, claiming to be a fan.
A study of life at Christmastime in Moose Factory, an old settlement mainly composed of Cree families on the shore of James Bay, composed entirely of children's crayon drawings and narrated by children.
One day Tord accidentally walks in to the apartment next to his own. Another person named Tord lives there, he has just moved in. Tord and Tord start to spend time with each other.
Mussorgsky's composition is the soundtrack for this pin-screen animated take on night and wild things. A scarecrow blows down, clouds move by quickly. Beings take shape; a town appears, animals flee, and a horse gallops by. A child looks on. Monsters run and float by: the phantasmagoric is everywhere. A woman's figure tumbles through space. A clash ensues. The horse falls. Goblins take control. The night and its denizens are relentless. Forms appear and become grotesque. Will dawn and calm ever come?
A study in pins of a man who loses his nose which becomes a personality in its own right.
A pretty mouse, gray as a pebble, comes into money, builds herself a cabbage house and looks around for a man. As she likes to sing herself, she wants him to have a nice voice. She doesn't like sheep, frog and rooster, so she gives her favor to a tomcat. One day, when he gets to lick her blood, his appetite overcomes him. She manages to escape - and they have lived in enmity ever since.
Guida, a sweet lady who has been working as an archivist at a Courthouse for 30 years, has her routine changed when she sees a newspaper ad about life drawing classes in a cultural center of the city.