A taxi driver kicks a homeless woman out of his car. It'll be a long night until he can make amends.
Anton Noori
as Mahan
Sonja Romei
as Sabine
Thomas Mraz
as Robert
Olivia Goschler
as
Marja El Gmati
Pauline Hirsch-Stronstorff
South of Italy, XIX century. A couple of brigands are chased in the woods. The man has a bounty on his head and is terrified by everything, while the woman takes care of her newborn. They will be safe beyond the river, where they are going to abandon their son to some gang members in order to run faster. But the woman secretly hides the desire to keep the baby...
The daughter of a famous ventriloquist decides to put on one last show.
Set to the music of NIKI's album 'Nicole', a young woman experiences the aches and elations of her first love.
Mabel (13 years old) is attracted to Ambroz (10 years old), whose mother forbids him to play with her because “she is older than him”. The game between them takes place in secret and in a forbidden place. Ambroz's innocence prevents him from deciphering the dark mystery that surrounds Mabel's life.
Los Montes de la Ermita, region of Bierzo Alto, in the province of León, Spain. Six women assist Joaquín —the only and last inhabitant of the remote village, located on the slopes of the mythical and mysterious Catoute Peak—, who is in danger of death due to an unfortunate accident.
Based on the novel by Güzide Sabri Aygün, the film tells the relationship of a mentally-ill woman and the doctor whom she loved in her youth.
Mrs. Cho’s three daughters, Su-yeon, Ji-yeon and So-yeon, carry out their own busy lives. Upon the diagnosis of the terminally ill condition of their mother, they visit her after a long time. The three daughters bicker and compete against each other like children to win the love of their mother, and decide to use each of their skills to prepare a meal for their mother.
Three love stories. The same country that condemns them. A queer Guatemalan anthology that explores love between men in a society without LGBTQ+ rights. FIRST: Two teenagers discover their attraction at a party, experiencing that first kiss that changes everything. TRUE: A bitter comedy about an ex who discovers her new boyfriend's secret at his wedding. LAST: Heartbreaking drama about a seven-year, closeted relationship that collapses.
A lonely New Yorker serendipitously meets a mysterious foreigner and sparks ignite. A meditation on life and love in the digital age.
Traumatized since childhood by her brother's accidental death, Danika Merrick hallucinates a bank robbery and quits her job. Despite support from her three children and loving husband, Danika continues to experience unnerving visions. She seeks help from therapist Evelyn Harris but pervasive reports of violent incidents involving children make Danika fear for her own family, and she grows increasingly paranoid, worrying she may be going insane.
In a tilting and subsiding town, everybody has left. Jae-ah is still waiting for her brother to come back. She lives in the shadow of fear, as her house begins to tilt.
This film ballad is dedicated to those who never returned home from WW2. A group of retreating Soviet soldiers, crossing a lunar terrain in a desperate attempt to escape death, is attacked by a German fighter plane that appears like a bolt from the blue. One by one they are killed. Then suddenly, in an unlikely denouement bordering on the mystical, the attacker is shot down with a simple rifle. For ideological reasons that defy understanding this film, one of Viktor Hres’ earliest works, was shelved in 1967 by Soviet censors. In 2010, it was restored by the Debut Studio of the Oleksander Dovzhenko Film Studio with the support of the Ministry of Culture and Tourism of Ukraine.
Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
Arriving in a hotel in the city of Faro, a couple learns there are no available tables left. When another couple agrees to share a table, they spark a conversation on the city’s history, unfolding the tales of King Afonso III, who betrays his wife, and of a Moorish woman, who betrays her father.
In 1989, Rody ruled the wrestling ring as Max Buwaya—a fierce heel who captivated the Pinoy wrestling scene. Decades later, he drifts through obscurity, his daily ritual of donning the mask offering fleeting comfort against a world quietly closing in. Wrestling with a fading sense of purpose, he prepares for a triumphant return: a final match that could earn him the belt he’s longed for his entire life. But as past and present blur, questions arise—about who he is, and what’s real.