Shot on three cameras over the life cycle of one snowfall, Decaying Vessel is an expression of transness and the feeling of being stuck in a body bound by time.
Over 32 years of archives, patterns emerge and stare back. Will they shape the films I'm trying to make – or haunt their edges?
Two layers of mesh overlap on the left. One rotates over the course of a day, its speed shifting gradually. On the right, a single mesh remains still. Digital interference is continuously superimposed onto the physical rotation. Where no rotation occurs, motion persists through digital interference alone. Under different conditions, the two images arrive at similar shimmering forms. The sound drifts with the sky. Tremolo. Pulse.
Ary Zara lives in limbo trying to understand who he really is. Refusing the gender binary categories that society imposes, at the age of 28 he decides to explore his identity by facing a physical and emotional transformation. A three-year journey revealing what is on the other side of the mirror through the courage, doubt and freedom of a deeply intimate process of self-discovery.
Missed connection regret at that one late-night spot—the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else.
Working completely outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he has turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching.
Based on the fairy tale of the Brothers Grimm this montage brings together heterogeneous super 8 Found Footage and own personal shots. By hand developement and chemical influences an interwoven story about the conversion of simple elements to gold came out.
A solo audiovisual performance. Eighth entry into deeply beguiling series of works responding to the Alps acted as the closing night event of Alchemy Film Festival. The images are studies of the Alps degraded and distorted live at the front of the auditorium; the picture pixelated, streams of colour engulfed the screen like a crashed desktop, and as hawks hovered over the mountains they left staggered trails of glitches across the screen like computerised vapour trails. The audio was also created live using short atonal precomposed tracks. The aim was to create a digital alchemy, an abstracted journey into the mountains, a wild wonder inside and out.
A lone woman is forced to confront her body whilst those around her voice their experiences living in their own skin. Experimental short film where sound and music is placed on equal footing with the visuals.
Vikken is transgender. He’s about to take hormones for the first time. He records his voice that will disappear, and summons the figures of the past from all over the world for an intimate dialogue with himself.
A girl reads during a bus ride
EVERY LIGHT
Leevi Pienihäkkinen’s tight experimental short documentary Peace and Silence dives into the Helsinki night, exploring the darkened city with fresh eyes. The familiar spots of the city centre flash in the images, but something is different. The everyday becomes weird, details vanish, lights shine taking over everything around them. Humans remain anonymous and faceless, silhouettes against the backdrop of the dark city.
A collection of memories from a tumultuous time at University.