While having a virtual walk through StreetView, on Google Maps, the artist questions the dissonance between the way the city is portrayed on those maps, and the way city looks today, compared to their own personal changes through time.
Mina Simendić
as Glas (voice)
A surreal, low-budget odyssey through time, space, and toxic relationships.
Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.
Moses searches for history into palletes.
A neurotic, alcoholic trans man struggles through navigating his social and love life.
The Hungarian word "alkotás" (artwork) has a dual meaning – it can refer both to the process of creation and to the finished artwork. The film tells the story of how a canvas comes alive, how playful, abstract forms are created, each one carrying its own human narrative.
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
A disillusioned teenager embraces violence as a means to truly fight for ideologies, drawing his estranged brother into a bloody confrontation that will leave both scarred.
A psychadelic mental breakdown occurs. The lights are bright, the colours vivid, the images blurred, the mind absent.
A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.
Veils is a short experimental film about humans finding themselves outside of the technological advancements of the world today. It is inspired by the fogginess and blurriness humans can go through when they use different technologies like smartphones, artificial intelligence, and much more. What happens when humans break outside of the bubble that they created?
After his death, a young man stuck in purgatory attempts to cope with the afterlife.
The creator of an artificial intelligence that helps people with relationships begins to believe that he is possessed by the AI itself. In the same time, a user of the same AI also begins to go crazy, causing the two to fall into a kind of insanity, unable to tell the difference between reality and fantasy.
A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.
Amidst a world in flames, a disillusioned workaholic returns to their childhood home in an attempt to escape from their apocalyptic day job.
A personal portrait of the stages of love: discovery, fullness, fracture, and rebirth.
