Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.
Reilly Mitchell
as Himself
I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.
An annual battle of Dresden’s culture of commemoration and the question of authority to interpret history breaks out.
Photographer and make-up artist François Nars reveals his visually stunning inner world in this feature-length documentary by filmmaker Lisa Immordino Vreeland. Mr. Nars takes us on a tour of the fashions, designers and models of '70s Paris, the underground of '90s New York, and the timeless world of cinema, filled with actors, actresses, and directors who have shaped his visual aesthetics.
Following stylish IT GIRLS filmed during New York Fashion Week.
That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.
Heart Murmurs is a poetic dialogue between the filmmaker and Dean, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic, Dean expresses his sense of self in the face of regular medical challenges.
Debunking the mythology surrounding the 16th century French prophet, Nostradamus.
Ed is commissioned to make a documentary intending to change those habits of society that are harmful to animals. But completely alien to the animal protection movement, he will realize that to carry out the project, he must first convince himself.
“Kick Start” re-lives Florida’s trek to the program’s first national championship in 1998, coming up against women’s soccer juggernaut North Carolina. To build a national championship program from the ground up is no easy task and given the landscape of women’s collegiate soccer in the mid-1990s, Becky Burleigh’s charge was even more difficult.
This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
"Grow a Better Dallas" is a short documentary film showcasing South Dallas' Restorative Farms, a registered non-profit offering restorative justice and urban agriculture solutions to the "food desert" problem in South Dallas. Restorative Farms offers the ability for rehabilitation and therapeutic solutions to individuals with criminal backgrounds to come and contribute as employees to the farm. Restorative Farms was co-founded by Tyrone Day, who was falsely incarcerated for over 26 years.
"A Million Smiles" is a documentary film showcasing the Baseball Without Borders Foundation based in San Francisco, CA for nearly 30 years. Baseball Without Borders Foundation brings joy to children throughout the world through a love of America’s favorite pastime, baseball. They provide new and used baseball and softball equipment to children of all ages and they donate all equipment free of charge. Donations have been made to children in 52 countries since 1995. Baseball Without Borders has no paid staff. 100% of donated funds help to promote friendship, recipients' native cultures and connection with the less fortunate of our world. This is the first film in Baseball Without Borders history. This film focuses on bringing awareness to the culture and children of Yucatán while giving viewers a sense of the impact that Baseball Without Borders has been creating for more than 27 years as it carries out its mission to weave joy through the world by offering the gift of baseball.
Cruel Famine Continent documents the Great Sahelian drought in West Africa and its effect on the people. The production was an attempt to pivot Toei's output from yakuza films and Toei Porn towards "global issues" and "whatever makes money", as stated by then-Toei president Shigeru Okada. Theatrical proceeds were to be shared as relief funds through the Japanese Red Cross, though the box office returns are unknown. Footage shot for the documentary by Yoshimitsu Banno would later be reused in the 1974 Toho production Prophecies of Nostradamus.
An experimental film about narrations of two journal photos from Iran's revolution in 1979.
"Slaughter" is an experimental short film that delves into the archival and historical footage of the Iranian Revolution in 1979, depicting a symbolic narrative surrounding the ritualistic act of animal sacrifice, known as "Besmel." It serves as an allegorical representation of a nation's sacrifice amidst the backdrop of political transformations.
