A Primavera Há de Chegar

La Chinoise

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

1900

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

The Mark Of The Day

In a settlement in the northern mining country. The Marles, Bréhard and Gohelle families wake up and prepare for a new day at work. The young engineer Larzac, newly appointed to the mine, will soon oppose the authoritarian and conservative methods of his superior Dubard. Georges Gohelle would like to marry Marie Bréhard, but housing difficulties thwart their plans. Brezza, a Polish immigrant, who must return to his country, would like to hate his marriage to Louise Gohelle. Roger, Marie's little brother, has just turned 14. He does not want to go down to the mine as his elders have always done. He will however have to resign himself to it. Marles evokes for him the social struggles of 1906. Roger is injured during a landslide. In front of his family and his friend Marles, who had come to the hospital, he announced his decision to continue his profession. Larzac, invited to the Marles, reveals that he refused a quiet position at the Charbonnages de Paris. He too stays.

Slaps & Kisses: The Great Reunion

In the special episode of Tapas & Beijos, titled "The Great Reunion", Sueli and Fátima come together five years after the series ended. They navigate new challenges and humorous situations, showcasing their characteristic friendship and irreverent humor. The episode serves as a nostalgic farewell, celebrating the best moments of their chaotic lives while addressing relatable issues.

The Lower Depths

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

Europe '51

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

Hostile Architecture

Kirsty must survive an afternoon in the city centre until her accomodation can be arranged at a homeless shelter.

The Knot

Shirish and Geeta run a rickshaw driver over and have dramatically opposing reactions to the tragedy. Shirish moves on, hiding behind the invisible protections afforded to him by class structure, and the visible walls and locked gates of his home. In parallel, Geeta’s guilt drives her to surreptitiously employ Manoj, the victim’s younger brother, intertwining two lives otherwise separated by class and power. The small collision quickly turns into a dramatic suspense, spurred by greed, betrayal, guilt, as the nocuous effects of grave inequality threaten to unwind the very fabric of each of their lives.

Brenda Lee and the Palace of Princesses

A musical that brings a bit of the history of Brenda Lee, called the "guardian angel of transsexuals", activist who founded the first support house for people with HIV/AIDS in Brazil. She has a pension for trans women who, for the most part, live off prostitution. Despite the reality of violence in which they live, inside the house, the transsexuals are welcomed by Brenda, who teaches them to want more out of life.

No One Loves Anyone For More Than Two Years

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

Forward March, Time!

Soviet animation from Vladimir Tarasov.

Nobody Owns Me

The story of a lone father's relationship with his daughter, of the destructive power of alcohol, of a child's vulnerability, but also of love, betrayal and socialist politics in 1970s Sweden.

Lunch Break

1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.

Dias de Camus

Enough Praying

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.

Ergui as Mãos aos Céus e Não Havia Mais Luz

Le Siècle des couturières

Tear It Down

In an insurrectionary climate, four twenty-year-old friends talk about politics. As a big protest looms, one of them, Clara, has to write a college essay. Caught in the virtual images and the comfort of her bedroom, going out is harder than expected.

Elza