Classified as a UNESCO World Heritage Site, the Nazca Lines have never ceased, since their fortuitous discovery in Peru during the first half of the 20th century, to fascinate the general public as well as the scientific world.
UNESCO Memory of the World: Explore the Bibliotheca Philosophica Hermetica’s new home with 25,000+ rare books on alchemy, hermetica & mysticism at the Embassy of the Free Mind museum, set in Amsterdam’s historic canal mansion, the House with the Heads.
One of the world’s greatest ancient enigmas, the Nazca lines are a dense network of criss-crossing lines, geometric shapes, and animal figures etched across 200 square miles of Peruvian desert. Who created them and why? Ever since they were discovered in the 1920s, scholars and enthusiasts have raised countless theories about their purpose. Now, archaeologists have discovered hundreds of long-hidden lines and figures as well as evidence of ancient rituals, offering new clues to the origins and motivations behind the giant desert symbols.
They are striking works of art by any standard: but what purpose did they serve? Some of the theories put forward suggest that the lines were ancient running tracks, runways for aliens, and even a giant astronomical calculator. But after decades of misunderstanding, modern archaeology may finally have an answer to the puzzle of the Nasca lines.
Over the centuries, Mont Saint-Michel, an extraordinary island located in the delta of the Couesnon River, in Normandy, France, a place floating between the sea and the sky, has been a sanctuary, an abbey, a fortress and a prison. But how was this architectural wonder built?
Where the old beech forests are almost untouched by human hands, the Jasmund National Park on the island of Rügen is home to a unique piece of untouched nature. It is of such outstanding importance that UNESCO declared it a World Heritage Site. Exclusively shown at Nationalpark-Zentrum KÖNIGSSTUHL on the island of Rügen, Germany
A Giant Adventure tells the story of Sebastian, Sophia and little Wawa, who will embark on an unexpected and extraordinary journey that will take them to an unknown world inspired by the Nazca culture.
Short animated film about the clima crisis from CUC Anima and Gobelins
How can we rethink our ways of learning and transmitting knowledge? This film answers this question through the creation of a unique bachelor’s program: the Arts and Sciences Bachelor. The origin of this bachelor lies in the uprising against the 2009 reform of the university. During three years, students explore knowledge through the intertwining of different subjects. Indeed, they discover every aspect of color in sociology, chemistry, and literature. By following four students from their first to their third year, the film explains to the spectator how this bachelor program works. Les Lumières offers a reflection on transdisciplinarity.
A documentation and celebration of 13 years of the Horror-on-Sea film festival in Southend-on-Sea, Essex, U.K.
When Lord Murashige rises up against the tyrannical Oda, he finds himself besieged within the walls of his own castle. Isolated, he is confronted with a series of mysterious crimes that shatter the fragile order of his court, plunging the fortress into fear and suspicion. With Oda's army closing in and a traitor hiding among his ranks, Murashige is forced into an uneasy alliance with Kanbei, a brilliant and dangerous strategist held prisoner in the dungeon, as he must outwit his enemies and uncover the truth before time runs out.
Models, calculations, samples: the facts about climate change are on the table, but politicians refuse to acknowledge them. Faced with this dilemma, three scientists decide to leave the laboratory and become activists. Maria, Sebastian, and Nana use their knowledge to maintain integrity between emotion and reason.
French documentary that explores how the third generation deals with the memory of the Holocaust. It follows grandchildren of survivors—Camille, Frankie, Théo, and Mathis—as they inherit family secrets and the responsibility of bearing witness to this trauma