As the Arizona Supreme Court argues on whether to reinstate an abortion ban that originated in 1864, As Long As We Can offers a glimpse into the day-to-day activities of this, for now, still functioning clinic.
The priest Børre Knudsen is Norway's most infamous anti-abortionist, and much hated for this. He fought for his cause without thinking about the consequences for his family and his children even in the worlds most democratic country.
What images do we associate with abortion and why? Where do these images and the emotional scripts in our head come from? How do they influence women who (want to) have an abortion, how do they shape the general discussion? Franzis Kabisch’s personal desktop documentary investigates these questions with great precision, clarity and humour (yes, humour, too!).
Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.
At a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman's life. In 2007, Dr. Cerrato’s daily routine took a detour. The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake. As Carla and her colleagues navigate this dangerous dilemma, the impact of this law emerges—illuminating the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. The emotional core of the story—the experiences and situations of the young women and girls who are seeking care—illustrate the ethical implications of one doctor's response.
A look at the impact of an already very precarious maternal health state in the U.S. post-rescinding of Roe v. Wade, via the Supreme Court's Dobbs decision, reversing rights that women have been working so hard to fight for, and that will actually have a deep impact that we can't even see just yet in terms of the numbers of mortality and trauma as a result of those very draconian policies.
Interviews from women involved in the 70's and 80's rock music industry. An examination of the people taking advantage of underage fans and calling for a "Me too" movement in the music world
Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight.
A poetic and reflexive documentary approach to reproductive healthcare access in North Carolina, specifically on Indigenous reservations.
FRONTLINE follows the intersecting lives of twenty-two-year-old antiabortionist, John Salvi III, charged with murder in the armed attacks on two Massachusetts health clinics, and his victims, Shannon Lowney and Leanne Nichols. Through in-depth, personal interviews with family members and friends, clinic employees, police, Pro-Life and Pro-Choice protesters, witnesses, and religious leader Cardinal Bernard Law of Boston, the film draws a portrait of what led to Salvi’s brutal acts of violence. From the producers of ‘Romeo and Juliet in Sarajevo,’ this two-hour program crosses the emotionally charged terrain of the abortion battle.
Millions have seen the photograph, and no one who has seen it will ever forget it. A naked woman, dead from a botched illegal abortion, lying on a motel room floor. The picture appeared in Ms. Magazine in April 1973, and quickly became a symbol for the abortion rights movement. LEONA'S SISTER GERRI tells the dramatic story of Gerri Santoro, a mother of two and the "real person" in the now famous photo. Should the media have used this image? What circumstances led to Gerri's tragic death? Powerfully addressing issues of reproductive rights and domestic violence, this video is a moving portrait of Gerri Santoro's life and society's response to her death.
Three women intimately share how they faced the world and their own family when deciding to terminate a pregnancy.
The film delves into the reality of frontline workers who protect the right to abortion, an unprecedented access. Their stories are accompanied by powerful testimonies from women who have experienced a termination of pregnancy, breaking the silence and isolation.
Intimate confessions, paired with experimental choreography outside a woman’s clinic in Memphis, offer a glimpse into post Roe v. Wade America.
This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.
The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.