We're in Portugal but in France

The day he decided to leave

My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.

This Means More

Images of crowd simulation are faced with testimonies from Liverpool Football Club’s supporters who recall their experience marked by a tragic event: the Hillsborough stadium disaster in 1989, which changed the nature of the game of football.

Château

In summer 2025, the Van Drayens gathers at their secluded estate, The Château, for their annual family dinner. But as the patriarch reveals the contents of his will, simmering tensions erupt, threatening to tear the family apart.

Heritage

A teenager, disinterested in her Louisiana Creole heritage, finds herself having to entertain a visitor who only speaks what sounds like French. She’ll discover how magical it can be to connect with one's heritage.

Las Preguntas que Perdimos

Milen

The documentary film follows the life and career of Milen Tsvetkov against the backdrop of historical events in Bulgaria that have transformed journalism and the media market in the country since 1989.

The Secret of Roan Inish

Ten-year-old Fiona is sent to live with her grandparents in a small fishing village in Donegal, Ireland. She soon learns the local legend that an ancestor of hers married a Selkie – a seal who can turn into a human. Years earlier, her baby brother was washed out to sea and never seen again, so when Fiona spies a naked little boy on the abandoned Isle of Roan Inish, she is compelled to investigate.

A Landscaped Area Too Quiet for Me

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

Dear Albania

Eliza Dushku takes on her homeland of Albania.

Up the Yangtze

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

Ashes

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

Faces from Home

In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.

The Trouble with Merle

The director explores the birth origins of actress Merle Oberon, traveling to Tasmania and India in search of the truth, but her quest ultimately results in probably more questions than it answers.

Nazaten

Frans Bromet goes in search of his family history and discovers that Hermanus Bromet was a well-known slave trader in Suriname. Should he feel guilty for what his ancestor did? How do you deal with a burdened family past?

Drinking a Monster in the parking lot of the clinic where I was born that is now a funeral home

A woman returns to the site of her birth, which is now a funeral home. She drinks a white monster energy drink.

If We Ever Forgot

In a fading seaside city, a forgotten notebook becomes the unlikely thread connecting two lives. One, burdened by the weight of their memories, fills its pages with raw emotions about lost time and fractured dreams before discarding it. The other, driven by curiosity, discovers the notebook and sets out on a journey to trace the stories it holds. Through its pages, a haunting reminder echoes: “If the whole world forget, never forget. If the whole world forgive, never forgive. Gone, but never forgotten.” As their paths unknowingly cross in shared spaces, both must confront whether to remain anchored in their histories or let go and move forward. A poetic exploration of memory, loss, and renewal, “If We Ever Forgot” asks: can we ever truly leave the past behind?

De Aracaju a Harvard

The Lasting Memories From My First Vacation To Europe

A caring family goes on a vacation to Portugal, when they finish their trip, one of the family members looks back on the memories made to reminisce of what they did together.

Our Maternal Home

Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.