Documentarian Dhara Wright and Steven T. Hanley of Deeper Into Movies are given the opportunity to rummage Avon Video, a London video store left abandoned for about 20 years.
Steven T. Hanley
as Steven T. Hanley
Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
Minimalist movie making at its best: kids learn the art of film language using illustrations and margarine boxes.
Disjointed moments from the filmmakers’ daily lives during the past year. Captured on a 1985 VHS camcorder with color and luminosity distorted by its failing color Newvicon tube. Cut with distorted tape-recorded fragments of nostalgic broadcast television ephemera. Scored by whatever was handy— from an ambient electronic song with a surprising amount of pipe organ (Oneohtrix Point Never - Boring Angel) to midi versions of your favorite SNES soundtrack (Donkey Kong Country – Aquatic Ambience, Opening, and Treetop Rock) to a not-quite-right rendition of a song that will make you want to say “Oh, Angelo, that’s tearing my heart out!” (Xiu Xiu – Falling). A voyeuristic peak at home movies that exist somewhere between soon to be forgotten and forgotten long ago. The occasional dot matrix time stamps in the corner of the footage somehow make it harder to place in time.
The first part of the film shows an actuality street scene of traffic in the Strand. Behind the traffic we can see the entrance to the Gaiety Theatre on the Strand, advertising its latest show 'My Girl'. The second part is a different film altogether, spliced onto the first and is R W Paul’s Turn Out of a Fire Brigade filmed in November 1896 in Newcastle at the Westgate Road fire station. The film date is 1896.
This documentary takes you on a brief walkthrough of the Vinegar Syndrome headquarters in Bridgeport, CT. Included with the "Lost Picture Show" box set.
70 is definitely the new 20 in this heart-warming 1960s documentary portrait of the Darby and Joan Club for elderly Cockneys.
At the 1996 Atlanta Games, the Magnificent Seven became the first American women to ever win gymnastics team gold. Sixteen years later, in London, the Fierce Five joined them in the history books. Relive all the excitement as Gabby Douglas, Aly Raisman, Jordyn Wieber, McKayla Maroney and Kyla Ross take the lead from the first rotation and never look back on their way to gold. Follow Gabby Douglas on her way to the podium to make it three straight American gold medals in the individual all-around competition. Every individual event final is featured on this DVD, including Aly Raisman's historic gold-medal performance in the floor exercise, her bronze on the balance beam, as well as McKayla Maroney's silver medal in the vault.
The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.
A sock puppet explores a family history told from the perspective of a mother and father.
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'
This lively documentary explores the rise and fall of physical media from the origin of film all the way through the video store era into digital media, focusing on B-movie and cult films. With icons like Joe Bob Briggs (MonsterVision), Lloyd Kaufman (Toxic Avenger), Greg Sestero (The Room), Debbie Rochon (Return to Nuke 'Em High), Deborah Reed (Troll 2), Mark Frazer (Samurai Cop), James Nguyen (Birdemic) and many others.
Based on the popular phone service, "How To Make a Sandwich" is a short film directed by Drake Sanderson that depicts the rise of media star, Peter Willard, and his acclaimed sandwich-making skills. From breads to meats to condiments, follow Peter as he teaches you how to make the perfect sandwich!
Filmmakers and collectors lift the curtain on their manic media obsession that is not only a huge part of their lives, but the lifeblood of their existence!
Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.
The Feminist Library: A Short Film was made in support of the Save the Feminist Library Campaign, documenting a crucial moment in the library's herstory as it fights for its very survival. Shortlisted for the Women's History Network Community Prize, the film revisits the story of the library's inception and emphasises why feminism remains essential today.
A short documentary about the final weeks of an independent video store in Woodbury, CT.
The Molotovs kick things off in style with “Rebel Rebel,” followed by magical covers of “Heroes” (The Horrors), ‘Fascination’ (La Roux), “Let's Dance” (Jeanne Added), “Rock'n'Roll Suicide” (The Libertines), “Sound and Vision” (Anna Calvi), “Starman” (The Divine Comedy), and “The Man Who Sold the World” (Yasmine Hamdan): eight intense reinterpretations of David Bowie's work, delivered during an arty and decidedly London-esque stroll, which, from stage to studio, recreates the fragile intensity of a live performance.
After a life spent travelling the globe, the world’s most famous naturalist turns his attention closer to home to explore the wildlife of England’s iconic capital. Having lived in London for 75 years, Sir David has an intimate knowledge of the city’s natural history, and there's no better guide to introduce us to its most spectacular wildlife secrets. Captured over his centennial year, this personal and poignant film is a timely insight into how cities can become homes for wildlife as well as ourselves.