Otoniel Santos Pereira
as Otoniel Santos Pereira
Vitor Hugo Muzzi
as Reinê Pires Muzzi
André P. Barata
as André P. Barata
Ana Carrara
as Ana Carrara
Camilo Carrara
as Camilo Carrara
The French Revolution, 1794. The Marquis de Lafayette asks Charles D'Aubigny to infiltrate the Jacobin Party to overthrow Maximilian Robespierre, who, after gaining supreme power and establishing a reign of terror ruled by death, now intends to become the dictator of France.
The inside story of Biden’s rise to the presidency, and the personal and political forces that shaped him and led to his dramatic decision to step aside.
In their documentary about four highly memorable participants in a demolition derby, directors James P. Gannon and Matt Ferrin justly celebrate the transcendent and communal pleasures to be found in smashing stuff into other stuff.
In 1996 I took the conservatory exam. I missed it. A year ago I was asked to do a masterclass on acting in cinema. I went there. I met a lively, joyful and passionate youth. Among my students there was Clémence. The following year, she asked me to film their last show. I felt her urgency and the fear she had of leaving this mythical place. So I accepted. By filming this youth, I revisited mine.
In autumn 1944, during the Liberation of Brittany, writer Louis Guilloux worked as an interpreter for the American army. He was a privileged witness to some little-known dramatic aspects of the Liberation: the rapes and murders committed by GIs on French civilians. He also discovered the racism of American military justice. This experience haunted the novelist for thirty years. In 1976, he recounted it in a short novel, "Ok, Joe", which went unnoticed. This film compares his account with the memories of the last witnesses to these forgotten crimes and their punishments.
Cats are cuddly felines and lovely pets, but also highly evolved predators that hunt huge amounts of small mammals, birds and reptiles; perfect killing machines that threaten delicate ecosystems around the world.
Documentary about the making of Juzo Itami's film "Tampopo" (1985).
At its peak, The Black and White Minstrel Show was watched by a Saturday night audience of more than 20 million people. David Harewood goes on a mission to understand the roots of this strange, intensely problematic cultural form: where did the show come from, and what made it popular for so long? With the help of historians, actors and musicians, David uncovers how, at its core, blackface minstrelsy was simply an attempt to make racism into an art form - and can be traced back to a name and a date.
This documentary looks at Black people's interest in comics, cosplay, and more and asks whether this is a new phenomenon or something not highlighted.
Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.
Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.
Francisco Esteves, an elevator technician, lives between routine and a quiet passion for art. Inspired by the music of The Doors, he reflects on the paths not taken and the dreams that still drive him, in a constant search for meaning and freedom.
The origin story of America's first horror theme park and the thrilling journey of its founder. David Bertolino began as a salesman in a Boston joke shop and moved into Halloween products and costuming before becoming a “Hauntrepreneur” and launching the iconic SpookyWorld.
A behind-the-scenes documentary about the 41st Paléo in Nyon (Switzerland) in 2016, with a selection of the best parts of the concerts and interviews with the artists and volunteers who organize the festival.
In ancient Athens, a son is forced to parent his crazy, conservative father-but things get complicated when dad's drunk war buddies come a-knocking.
A short film following the release of journalist and activist Barrett Brown from prison, and his drive across Texas to a halfway house. 'Relatively Free' is an examination of Brown's return to a very different world, post the election.