Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.
Beth Pewther
as
Joan Brown
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Created entirely from YouTube videos and edited in Windows Movie Maker, Lopatin recomposes outmoded video graphic landscapes via repetition and abuse.
In the final days of the American Civil War, an emigre Hungarian military officer attempts to map the situation of the enemy. Many veterans of the 1848 War of Independence in Hungary fought on the northern side. Experienced Fiala, Boldogh who struggles with homesickness and the reckless Vereczky all experience their enforced emigration in different ways and news of impending peace elicits different reactions from them all.
Surrendering the mind to the hypnotic dance of fire, a candle's glimmer reveals dreamlike memories, illustrated by flickering fragments of experimental films that overlap alongside a deconstructed soundscape. Entering a hallucinatory state in a haunted ambience, one's own subconscious is put on display.
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Gaining ideology from their last album Disco Volodar, the short film uses the core theme of space. The short film is filmed at Unit 3 Regents Trading Estate, the usual area for Sounds From The Other City. Using the philosophy of avante garde pioneer Maya Deren ‘one must at least begin with the body feeling’, the films opening is of the four piece standing atop of the hill in the Pendle countryside. This quickly melts into a warped reality and lands you into the POV of a camera and trapped in a liminal space where you see a band in session.
1 minute experimental film.
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
Strings together what's strung together (please use yr tether).
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Slowed, stowed, achingly retold.
It's time the times met each other over & over.
Say Om as you reach home only to realize you never really left/stopped saying Om.
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
Rather pointless, rather stilted, fetid; not what we want us going after.
As years and years go by, a tiny civilization makes its way upwards.
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.