A loose sequel to "Self Reflection", "Inner Reflection" is about art, memories, filmmaking, and the director themselves, told through disconnected visuals and a man suffering from violent delusions.
Theo Barnard
as Himself, the actor
The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.
‘Under the Weight of a Waking Dream’ is Zefier's debut swan song to the ending year. Comprised of poetry and endless enumerations is a diaristic film chronicling the lessons and contradictions found throughout the human experience.
A typical night for veterans at a VFW turns into an all-out battle for survival when a desperate teen runs into the bar with a bag of stolen drugs. When a gang of violent punks come looking for her, the vets use every weapon at their disposal to protect the girl and themselves from an unrelenting attack.
This experimental film takes a closer look through the entomologist's lens at the cyclical behavioural patterns linking humans to the insect world. Just as the fig wasp inevitably finds death in the pollination of the fig tree flower, we too are thrown into the dance of passion and death. Drawn by the seductive scent of allurement and the inevitability of the final end.
In this cinematic fairytale, Francisca Newman, a psychologically disturbed ballerina, fails at her life audition. Her perfectionism starts to take a noticeable toll on her mental health, where in a world of passion and beauty, sensibility and enlightenment becomes darkness. In this increasingly violent and surreal competition at the hands of her own reflection, a familiar voice starts talking to her as an old forgotten friend. A voice that takes her on a journey through her own memories in order to find herself, before her reflection becomes a stranger.
Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010
After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.
Rubin chats with two friends.
When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.
Sixteen-year-old Joanna has been living with her overbearing Aunt Martha in a low-income NYC tenement building ever since a violent outburst left her fighting a feeling she can only describe as the "darkness." Little did she know that weeks after moving in, a biological threat from the Soviet Union would leave the building boarded up and the tenants locked inside. It's been one month since they were first sequestered. With food dwindling and Martha's controversial role as leader expanding, Joanna realizes that she must face both her darkness and her aunt in order to save the tenants. But can she take on the leadership without letting the darkness take over her entirely?
A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.
When 20-something-year-old Tanya begins to realize she’s asexual, the highly charged sexualized world she lives in as an actress and partner begins to fall apart and feels more and more like an unbearable nightmare.
Shellshocked, walking home from a night she can't understand and wants to forget, we meet Her. But she can't forget and she can't make sense of it, not right now. Because there is something else in the room, and she needs it to bleed.
Filmmaker Wilma Smith goes back to her family home and listens to the voice messages left from her Mum and Dad.
"A girl wakes up as a blank slate in front of a white wall. Unable to control her nighmarish reality, she turns into something else."
Dora Maar, a world-class photographer who began her artistic career in the French Surrealist scene of the 30s, lived in the shadow of Spanish painter Pablo Picasso, her lover between 1935 and 1943, with whom she maintained a chaotic, even violent, relationship. Fortunately, she survived Picasso's abusive behavior and its sequels to find a new path, the best one, the one that is worth to be told, in spite of Picasso.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
When a Developer comes to a small town looking at a specific piece of land the locals try to warn him off because that particular piece of land is known to them as The Dead River. They tell the story of the Bates Family who in 1852 were cut off from society by the Great Flood. With this the family became incestious from lack of socialization and even cannibalistic. Well the Developer doesn't believe the locals and decides to survey the land anyways and finds himself in a world of trouble.
