Narrations of 3 women about their experiences, their inner fight with being feminine and masculine, and their acceptance journeys.
Adriana Andrade
as Adriana
Luana Rodrigues
as Luana
Daniela Tietzen
as Daniela
In early 1990s Spain, eleven-year-old Celia lives with her mother and studies at a convent school in Zaragoza. When Brisa, a confident new classmate from Barcelona, arrives, Celia is drawn into a world that challenges the strict religious teachings and sheltered life she has known. Their friendship pushes her to confront hidden truths at home and the uncertainties of adolescence, leading her to explore questions of identity, independence, and belonging.
The story follows Iris at three points in her life: childhood, adolescence, and adulthood. Divided into three chapters, the narrative adapts the tales of The Bremen Town Musicians, Little Red Riding Hood, and Cinderella to explore, at ages 10, 16, and 26 respectively, how the environment of each life stage influences her personality and perception of the world.
Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped only with their wits and the expertise of a native bushman who befriends them, they are determined to triumph over impossible odds and reach their destination. But along the way, the trio face a primitive desert wilderness.
Reyhan, raised in a religious family, arrives to spend her summer holidays at her grandmother Ummu's house in a conservative central Anatolian village, accompanied by her mother Hatice, and her 6 year old brother Mehmet. The 13 year old is gripped by a state of inner turmoil. She has just had her first period and dreads the consequences of being unable to perform the required religious rites. Reyhan's concerns mount after she finds out the water supply at her grandmother's village house is cut off. She is desperate to find a way to perform the required religious ablution rites, which she has always been told will protect her from attacks by djinns and facial disfiguration. She starts having nightmares. At the same time, Reyhan is also determined to help Şükran, her best friend in the village.
Two girls share a room at the university and soon discover that living together is much more difficult than they thought.
A portrayal of girlhood through the eyes of an average teenage girl.
When Girly Pop thinks she's finally faced her anxiety and managed to poop in a public toilet everything goes bad...
By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. These conditions produced a series of box-office flops and pessimistic forecasts: maybe the best days of animation were over. Maybe the public didn't care. Only a miracle or a magic spell could produce a happy ending. Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney regained its magic with a staggering output of hits - "Little Mermaid," "Beauty and the Beast ," "Aladdin," "The Lion King," and more - over a 10-year period.
MORENA tells the uplifting story of the Philippine National Surf Athlete Ikit Agudo, who overcame the pressure to blend into a society obsessed with skin whitening. Within the ocean, she found happiness, strength, and pride in her roots. Inspiring young girls around the world to embrace who they truly are. In the Philippines, skin-whitening remains a billion-peso industry, a legacy of colonial beauty ideals that for generations have led many to neglect their true identity and natural beauty.
Norstein conquered the world 36 years ago with the creation of the legendary Hedgehog in the Fog. It was recognized as the best cartoon of all times and peoples according to a survey of film critics and animators from different countries.
Disney animator Dan Lund documents the studio's decision to shut down its hand-drawn animation department and focus instead on computer-generated animation.
Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.
First Bi-lingual movie made in Odia & Bengali. Bengali version name was "Pana Raksha". Produced with a budget of Rs. 64,000, the Odia movie was a hit however the Bengali version was unsuccessful.
A girl’s 20th birthday party gets ruined when she discovers her boyfriend’s secret.
Kang Aries and Kang Oca are two cultural observers of Kujang who try to provide a justification perspective on the Kujang Philosophy made by one of the blacksmiths named Abah Jajang, where the general public often considers that Kujang is a sharp weapon. The two of them "Kang Aris & Kang Oca" entered the realm of the trial to defend the essence of Kujang, so as not to be considered misunderstood by the general public.
Nina and her two friends share trepidations and desires, amid adolescent games and self-discovery. As the girls engage in ever new challenges, Nina immerses herself in her own hesitations.
A poetic journey of memory and fantasy told through the eyes of four versions of an artist as she creates her own self-identity.