To process grief, a young adult revisits fragments of their late grandmother’s life to restore the version of their own inner child when she still remembered them.
Amadis T. Loyer
as Voz en off
Solange Loyer
as Sol
Rodrigo Loyer
as
Micho
The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.
Many memories, some uncertainties, four young people and a soccer tournament.
A grandson shows his grandmother how to navigate an iPad 2 full of clues for solving a puzzle. Over a phone call, she recites an email she wrote seven years prior.
This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.
I remember very little from those years: the years of the rabbit. My favorite animal, my favorite color, the mountain in front of my house, my friends’ faces, the games with my sisters. Leaving my life in Mexico like that erased my memory. I color in these memories as an attempt to gather them. Forever.
10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.
January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.
Grandma has become a little doddery. And since the death of her husband, called E.O., ever bigger gaps have opened in her memory, and her disorientation has increased. Director Astrid Menzel makes a decision: to take a ten-day canoe trip on northern German waters with her brother and the 86-year-old lady. An adventure whose outcome is uncertain and which the three travellers have to face anew at every stage.
The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.
Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.
A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.
