etéreo

Grace

A young girl, her dog and a stranger find themselves trying to hold onto their humanity when stranded together in a post apocalyptic world.

Dog Star Man: Part IV

A man is supine on a mountain side. Images rush past of nature and a stained glass saint. An infant is born. We see a lactating nipple. Images include a mountain peak, farm buildings, a tree stump, a fire, a crawling baby, and the sun. The man falls and rolls. Then, later, he swings his ax.

Dog Star Man: Part III

Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.

For Love We Can

Jun is a reckless, rebellious young man. His coming out enraged his father, with his mother (Han) stuck in the middle. Even after his father's death they are still unable to reconcile and the two barely communicate. Knowing that being gay is not accepted by his mother, there is a wall between the two even though they live under the same roof.

By the Pool

During the heat wave, swimmers flock to a municipal pool. Rain or shine, as the days pass the place takes on a life of its own, and the lifeguards, while immature at times, shoulder considerable responsibilities.

What grows out of pink

Pink: Charm, politeness, sensitivity, childhood, the feminine and the romantic.

Air comprimé

Vincent, who lacks control over his pupils, his a maths teacher in a high school. One day, he and his wife Hélène, who is five months pregnant, are the target of a hidden paintball shooter. Although not injured, they are traumatized. While Hélène decides to forget the attack, Vincent becomes convinced that the shooter is one of his young students.

Fatiya

Fatiya agrees to replace her cousin at a babysitting gig. When she meets the mother of the young boy she is supposed to look after, prejudice and racism cause the afternoon to take a turn.

Valse Triste

With a similar dreamy mood like its predecessor "Take the 5:10 to Dreamland" (1976) this clip starts with a boy getting into his bed. The camera zooms in into the boy's mind and a slow, sad waltz (i.e."Valse Triste") accompanies images of a locomotive, a miner, the globe, the sky, a sheep heard, etc. Disparate elements, but if one concentrates only at the movement of the figures, one can perceive a commotion, slowly livening up: The starting wheels of the heavy locomotive, the tired miner pushing the heavy cart of coal bricks, the globe smoothly turning around and around, the clouds imperceptibly floating in the sky, the sheep idly moving in the herd, etc. We reach the first climax when a mannequin opens her coat like a flower. The second big crescendo spurts out from a "water hose", after watching schoolgirls doing gymnastics for quite a while. A sad, but nostalgic aftertaste lingers in the end when funeral cars drive away through a flooded area…

Tenants

Max and Red live illegally in an abandoned communal apartment. On New Year's Eve, a third neighbor, Lera, comes to visit them.

4 Ways to Live a Healthy Life

A simple how to on remaining healthy during these crazy times.

Trauma

A young woman takes revenge on the man who just brutally raped her on the street.

When La Rumorosa Quiets

Lucía boards a bus where she wakes up naked after falling asleep.

The March

In 1910, a young laundress leaves her rural home, fleeing from her father's violence. With her, her two sisters and their baby brother. Along the way they try to break free from the past and rediscover a future.

O Amor

Blossom

As the only flower Yağmur has on her balcony, a peace lily starts to fade away, her friend tells Yağmur an old myth: Peace lilies cannot blossom when they are alone. Yağmur and the flower start to share the same path when they both blossom out of their loneliness.