Despite the warm images in the family archive, photographer and filmmaker Jonnah misses an intimate bond with her (adoptive) parents. Over the years, a wall has been built between them that Jonnah is now trying to break down with her parents.
Jonnah Bron
as Self
Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?
Traces the new Cold War between Russia and the West from the ban on American citizens adopting Russian children to the Kremlin’s anti-LGBTQ campaign, which positions the international marriage equality movement as a national threat.
My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.
Un germà explores the emotional and physical distance between two brothers, through archival footage and present-day material, the film blends past and present to show the difficulties they face in reconnecting.
A documentary focused on right wing populist Geert Wilders, called The Dutch Donald Trump, as he runs for Prime Minister of the Netherlands.
VPRO icon Wim Brands died on April 4, 2016. He was known to the general public as a presenter of the VPRO Boeken program and also closer, with six collections of poetry to his name. This documentary about his life and work, built entirely from archive material, pays tribute to this television personality. A portrait in which attention is also paid to his complicated relationship with death. With a.o. Karl Ove Knausgård, David Sedaris, Ellen Deckwitz and Pieter Boskma. Brands' work merges with his rich inner life and that he chose death at the age of 56 casts a shadow over everything.
New York, 1980. Three complete strangers accidentally discover that they're identical triplets, separated at birth. The 19-year-olds' joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever.
Having worked as a housekeeper all her life, Justina inherits from her former employer a mansion in the middle of the Argentinian pampas. Under one condition: she must never leave. In this modern fairy tale, Justina and her daughter Alexia will face the challenges of keeping that promise alive.
The parents are at their wits’ end, so a temporary supervision order is the last hope for a group of teenagers in Punks. Now, on a remote farm in France, they’re going to have to get their lives back on track, with the help of a counselor. If they want any chance of a happy life, they need to engage in some frank and painful conversations. Mitchel has to find a way to get along with his father, but maybe too much has already happened since his mother died. Jahlano is already at the next stage: he’s no longer allowed to live with his mother, and needs to get over the disappointment. Mike, meanwhile, is struggling with his image as a boy who’s “got a screw loose.” Filmed in constant close-up by director Maasja Ooms, the teenagers try to tame their demons with music and therapy, but problems from the past keep resurfacing. In this intimate and sincere portrait, these troubled kids show us their most vulnerable sides.
Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.
On a night like any other, Helena, a 12-year-old girl marked by troubles at home, is taken from her mother and placed into foster care. Now, she must face a new reality while waiting for a home. But with time passing and wounds still fresh, will there still be a chance for a new beginning — or will it be too late?
In an effort to understand where she came from, Fabiola asked a question that became the central phrase of the film: what would my life have been like if I'd stayed in Haiti? Taking as her starting point her biological mother's precarious economic situation, she had no choice but to entrust her daughter to her care. Fabiola could have ended up restavek, or in a loving foster family, or on the streets abandoned to her fate, or adopted abroad.
“Job is 2 meters tall and has been my baby for 58 years. I will continue to care for him as long as I can,” says 91-year-old Tineke about her severely disabled adult son. But how long can she keep that up and who needs who: Job Tineke or Tineke Job? A documentary about the limits of motherhood.
Jackie Miller adopted her son, Scott, in the early 1970s. In 2008, Scott brought his mom to StoryCorps to ask her about that decision.
Following in the footsteps of two women in search of their origins, this documentary lifts the veil on a little-known page of the post-war era: the adoption, as part of a cross-border program, of thousands of children born during the French occupation of Germany.
In the 17th century, the Netherlands experienced an unprecedented artistic explosion: painters such as Rembrandt, Vermeer and Hals were so prolific that they were able to make a living from their talent alone; so much so that, within a prosperous society, thanks to wealth from overseas colonies and financial speculation, collecting works of art became a status symbol.
When filmmaker Mari Soppela took her children and husband to live for a year on a sacred mountain in her native Finland, she was fulfilling a lifelong dream to share the arctic wilderness of her childhood with her family. But when years later her children turn the camera onto her, she is forced to confront her motivation for filming their lives in this searching and searingly honest cinematic exploration of identity, belonging and motherhood. Filmed over the course of 27 years, Mother Land challenges us all to examine the landscapes we carry within us and the narratives we create to make sense of our lives.
Currently, purchasing cannabis is done through 'the back door'. What is sold legally is purchased illegally. The end of 2019 marked the start of a four-year experiment in which cannabis grown under state supervision is legally traded. This should lead to less crime and better quality weed with fewer harmful substances. After a strict selection procedure, ten growers are selected who can supply this government weed. Bromet follows seasoned grower John - who wanted to run his nursery as legally and transparently as possible, but still lost everything after a lawsuit - and the businessmen of plan C who want to grow cannabis for the first time. Bromet also interviews coffee shop owners, politicians involved and both supporters and opponents. A follow-up documentary was made in 2024.
