In a facility dedicated to the study of liminal spaces and the in-betweens of time, a mysterious flood triggers a cascade of eerie events and the sudden shutdown and abandonment of the laboratory.
David E. Wells
as Dr. Clark Nicholson
Barbara Cunningham
as The Computer
as The Anomaly
Liminal Spaces are the subject of a modern internet aesthetic portraying empty or abandoned places that appear eerie, forlorn, and often surreal. Directors such as Stanley Kubrick, Andrei Tarkovsky and David Lynch had mastered the art of liminal spaces, long before it became an internet aesthetic. This documentary aims to explore and demystify the strangely familiar world of liminal spaces.
Parker is stuck in a basement, consciously living out a nightmare he knows will come to fruition unless he is able to warn himself while he's awake. The only problem is he can't remember his dreams...
A good night’s rest turns into a fight for her life when an anxious girl comes face to face with a stranger like no other.
Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
The movie follows an unnamed internet hitman who, after one of his previous victims comes back to life, locks himself in his bathroom with a gun with one bullet to get away from the corpse that is outside his bathroom door that is banging on the door trying to get in! As time goes by he slowly starts going insane and starts talking to himself in one sided conversation while having weird dreams that seem to predict the future, he receives dog food and phone calls from a strange man with unexplained knowledge about everything named Mr. E, who discusses topics of morality, philosophy, and mysterious, all-powerful them, while asking to be let into the house!
The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was literally "swallowed up by the earth" when a cesspool suddenly opened up under his bedroom. The film's main setting is a bedroom by night. From the way it was shot, the viewer has the feeling of peering into an abandoned life-size dollhouse. Other sequences show close-up views of a young man lying on a bed with a tormented look on his face or cowering in a corner. The scene is accompanied by an exaggeratedly romantic song whose refrain – "It took me so long to get my feet back off the ground" – alludes to the loss of a loved one and a sense of abysmal loneliness. The song's emotionality contrasts starkly with the artificiality of the scene. The boundary between reproduction and reality grows fluid, and the virtuality – which the artist has carried to a near- perfect extreme – begins to crumble in view of the protagonist's physical and emotional frailty.
Surreal environments take center stage in this visual odyssey.
In a rainy Brazilian city, an amnesic man is taken in by a lonely clickworker at a course for people with a strange neurological syndrome. After using an addictive AI device, he embarks on a tragic and absurd journey to find where he truly belongs.
A love, a journey, perhaps an obsession, the thin line between life and death constantly questioned by love, an immortal feeling, yet experienced by mortals. This animated and musical short film features young Orpheus, the quintessential archetype of the poet, embarking on a journey that will lead him into the depths of the underworld, in a desperate attempt to bring his deceased wife Eurydice back to life
A portrait of a formidable political figure, unraveling the contrasting facets of an iron-fisted tyrant and a man haunted by fear.
Two filmmakers set out on an adventure into a creepy old mall, only to find themselves lost in an increasingly claustrophobic maze of hallways, liminal spaces, stairwells and backrooms in this comedic found footage horror film.
In a liminal world where logic fades, a narcissistic narrator manipulates a lonely young woman trapped in a disturbing cycle of hatred and confusion. A poignant exploration of the inner struggle between power and powerlessness in a senseless world.
Trapped in his nostalgia, a sad little ghost is unable to pass through the liminal space he occupies.
A snappy animated diversion turns simple graphic symbols into colorful arrows of resistance. In the field of the rudimentary predecessor of the Internet, the author uses the tried and tested tactic of détournement in order to overcome the limitations of narrowly defined frameworks and transform the screen into a space of new meanings and the scene of a battle against the banalization of the mind. A battle that may have already been lost, but that does not mean that we can afford to lose the sharpness of the senses and the sharp sense of humor that the author demonstrates by repurposing outdated media technology in order to lucidly mock her and our reconciliation with the given state of affairs.
