Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.
Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.
In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.
Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.
Documentary about the life of Luis Mariano Rivera.
Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.
Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.
Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.
1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.
The struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez.
A curious title given that for 50 minutes, Januszczak snarls his way through a canine critique and it’s not clear which he despises more, dogs or their owners. He visits a dog show which he regards as incorrigibly eccentric and he considers breeding practices to be the canine equivalent of eugenics practised by the Nazis. “We breed them until their heads look like misshapen Halloween pumpkins (often to the detriment of their health), we cut their bollocks off, we send them to a doggy psychiatrist and still most of them won’t do what we want them to do. The message appears to be that we love dogs, but not for themselves, it’s for the prestige they can bestow upon their owners.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
The beach meadows on Gotland's southeast coast have been artist Lars Jonsson's field of work for more than twenty years. Here he lives with his family and here he tries to capture on canvas every change in the landscape and the borderland between land and sea. In the film, we get to follow Lars Jonsson, one Sweden's most prominent bird painters, in his work from late winter to autumn.
The deep waters of the Southern and Pacific Oceans still hold many mysteries. Two international teams of scientists set out to explore the icy depths of Antarctica and the abysses of the Mariana Trench. Filmed for the first time, creatures seemingly from another galaxy cohabit with champions of survival in extreme conditions.
A witty and eye-opening tour through Borowczyk's own collection of vintage erotica. Originally intended as part of his 'Contes immoraux', it was released first as a separate short, and is therefore marks the turning-point between Borowczyk's career as a highly-regarded animator and surrealist filmmaker, and his subsequent career in the sexploitation field.