In this animation that blends 35mm film illustration, digital art, cartoon, collage, computer graphics, and generated imagery, a dwarf comet crosses galaxies in search of its lost companion until it reaches the limits of its reality.
Olavo Neto
as Narrador
A factory worker in a dark, gray world assembles devices that promise happiness. In his spare time he tinkers to create something better, and finally succeeds in perfecting his invention, which allows people to see life through rose-colored glasses, but he has to pay a price for his success.
One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor Harry, which punctures the rhythm of his everyday life.
Artist Htoo Lwin Myo excavates the lesser-known and wildly joyful history of Myanmar’s horror and genre film industry in the 1950s that has persisted through political turmoil and archival neglect, told directly by the people who made it.
All she knows comes from the screens. All she has known is the screens. A screen breaks and everything changes.
In a mix of puppetry and animation, Harry demonstrates the Art of Visual Thinking to Kermit—and what it does to you once it gets out of control.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.
In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.
A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.
Eric Leiser directed & animated this handmade stop motion commercial for actress Chloë Sevigny fragrance by Régime des Fleurs
The leaders, the wise men, the leopard, the deer, the owl and the rat all look up in the sky in fear as a strange object flies through the sky.
After a flat tire leaves her stranded in the woods, a woman revisits haunting memories of her self-destructive tendencies on the finger nails. As she peels the skin from her fingers, each strip draws her deeper into the past. With every layer, she steps closer to the hidden child within herself.
The soaked soil, Taking the shape of a mountain, Our river, Flows into yesterday's late sun, Fish try to shun their reflection, Bubbles wrapped the words filling up the fish tank, Fish die in between the gaps of language; Banana leaves brush away the dust on the table, Lungs that refuse to be cleansed, Thermos is a container for storing the shadow of the mountain, The inner shell broken, The mountain walks away in the night; Everything is collected into a shriveled wooden drawer, Bamboo baskets piled on the concrete floor, swaying, The grey soil flowing, Filling up all the old boundaries The dried earth needs no expression, All decisiveness and hesitation lie underneath the smooth surface
EDEN is a hand-painted feature-length animated film directed by Andrzej Czeczot and produced between 1996 and 2002. The story follows Józek, an ordinary man suddenly drawn into a surreal infernal world populated by grotesque figures, shifting identities and unstable realities. As he moves through a landscape of continuous metamorphosis, angels transform into demons, music reshapes space, and familiar cultural symbols dissolve into dreamlike visions. Structured entirely without dialogue and driven by an original score by Michał Urbaniak, the film unfolds through movement, visual transformation and rhythm rather than conventional narrative storytelling. Created entirely using traditional hand-painted animation techniques, EDEN represents a rare example of large-scale European auteur animation from the pre-digital era and is currently undergoing restoration as part of the broader EDEN Universe project.
Regeneration is a film about transformation. Starting in a dark place the character reaches toward the divine and breaks into the world of the spirit. Through this act representing an outstretched hand we see that the Holy Spirit represented as a dove is pursuing us even more urgently. The meeting of the two represents the freedom in flight found in trusting fully in the Holy Spirit and is completed with the return to the heart now fully regenerated.
