When a fragile bond is broken, there is only love that can heal and embrace it.
Kornnaphat Sethratanapong
as Aom
Narumon Phongsupap
as
Inspired by Picasso's Guernica (1937), this film is fundamentally about the Israeli-Palestinian conflict.
In a foreign country, a young woman reunites with her friend at a cafe adhering to the laws that prohibit loud speaking. As efforts to comply with the law unfold, her cellphone disrupts the "peace" with a sudden loud ring. Despite her attempts to silence it, state officers expel her from the cafe.
When Tatiana's friends find her catatonic, they decide to gather the group of friends to try to help her. Between mystical and medical approaches, they realize that to wake Tatiana up they must call Arthur, her ex-boyfriend. When he arrives, he manages to snap her out of the trance, but not in the way they expected.
In hopes of building a closer relationship, a girl sits down with her mother, seeking to hear her experiences and aspirations growing up. What starts as a revisit of her mother’s past turns into a revelation about love and the weight of unspoken needs.
Rosa, 15, lives in an oyster-farming family. As her gravely ill father nears death, the support of Adel, her childhood friend, forges a new bond between them. In this fragile in-between, Rosa moves forward and falters…
Awakening on the floor of a destroyed suburban bedroom, we discover a global invasion has begun and we are not alone in the house.
It's love at first sight for the Boy, but obstacles— namely shyness, and the temerity of other suitors— place themselves in the way of his love. Unknowingly, the Boy and the young woman of his fancy both stay at the home of mutual friends— But all is not well, as robbers lurk outside the house.
On the eve of deportation, a refugee hacker fights for a chance at the American dream after he is betrayed by a politician using him to sway public opinion.
Lucille, an introverted eleven year old girl, live with her parents, who are caretakers of the swimming pool in which they stay. Because of the weirdness of this place, which looks like a flying saucer, an awful anguish comes out of Lucille's mind. The "unidentified frightening object" of her confusion would happen to be even more obsessing than all fears of childhood.
A man plays table tennis with a robot. During the course of the game the robot increasingly take on human mannerisms and becomes competitive. Soon, they both realize the game is no longer about winning.
A young woman’s connection with the life force of nature. Using her taxidermy talents to “return” the animals to their natural habitat. But the true search for answers begins when she finds a roll of undeveloped film in each of the animals that she treats.
A soldier escapes from a World War II concentration camp. Once he gets out, he finds himself on an unknown planet in an unknown future controlled by a homicidal alien race.
This delightful short is a world away from Tomomatsu's later works. It's a lovely story, told well. The reason that I tracked it down is because I'm quite a fan of Alice Sailor's music. She fronts new wave band Amaryllis and I was curious to see her acting. She has frequently supplied theme songs and other music to several of Tomomatsu's films. Indeed, the most disturbing sequence in this movie is accompanied by a psychotic Amaryllis track, 'Haha', and the closing piece is another Amaryllis song, 'Usagi'. This rip comes from the 'Eat The Schoolgirl' DVD, where it was one of the extras. Having just watched the main feature from that disc, I can say with some certainty that I found this tale far more enjoyable.
I always left that memory buried deep in my mind. Until one day she came back as a movie.
The 12-year-old German boy, Mathias, discovers his sexuality on a sailing boat in Denmark. Surrounded by water, trapped on the boat with his parents, who still treat him like a child, his desire is to get on land to have new experiences.