An ode to the canopy, Ingrain is an attempt to capture one family's recollections of their home through their fading connections with the trees surrounding it.
A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.
Catch the spark after dark at Disneyland Park. And say farewell to one of the Magic Kingdom's most celebrated traditions - The Main Street Electrical Parade. Where else, but in The Main Street Electrical Parade, could you see an illuminated 40-foot-long fire-breathing dragon? And hear the energy of its legendary melody one last time? It's unforgettable after-dark magic that will glow in your heart long after the last float has disappeared.
James May celebrates the toys that made his childhood hell as he opens the lid on his sisters' toy box. Sandwiched between elder sister Jane and younger one Sarah, many of their favourites he couldn't understand - or stand the sight of - or see the point of.
Award-winning documentary Resilience & Sacrifice follows an emerging musician from Vermont’s Northeast Kingdom who shelved his dreams to raise his family. Years later, he returns to the stage, facing the music industry and a medical crisis that nearly ends his career. A story of grit and passion.
The veiled story of Japanese diaspora in Mexico and the endurable impact of historic silence in its descendants is portrayed through testimonies and an exploration of landscape and choreography, questioning the formation and theatricality of individual and collective identity. When everything that's left of history are memories, how are invisible wounds healed? Yurei goes through different zones in Mexico towards an exploration of memory.
“A walk with Richard” is an intimate portrait of a first-generation Japanese immigrant and his multi-generational, family-run Hibachi restaurant. Richard firmly believes in “protecting” the customer, his business, and his family legacy. Come take a walk with Richard and see what it takes to keep the flame burning for more than half a century.
This poetic film follows director Marialuisa's journey with Anita and Leticia, Central American women traveling with the Caravan of Mothers of Missing Migrants.
Farmers in the Île-de-France region, they filmed life on the farm, working in the fields, and family and village celebrations on 8 mm or Super 8 film. From the 1950s to the 1980s, these testimonies unfold a history of rural life: we move away from a peasant and family model to industrial agriculture for export. Through these family images, I attempt to answer my own questions about our agricultural future. In the 1950s, the land of Île-de-France fed us.
In this story, we follow María Inés, an elderly woman, on an intimate and revealing journey as she seeks to understand the cost of life. Divided into four chapters, the narrative immerses us in the everyday life of her home, a space filled with memories and remnants that reflect what once was and what remains. Among antique furniture and objects steeped in history, we witness the protagonist navigating her present while confronting the inevitable decline of her body and mind. This journey portrays, in a raw yet poetic way, the duality of existence: the beauty and the hardship of growing old.
This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.
Idak-Idak-Idak is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother. Blending full-spectrum cinematography with personal footage, this film moves between Indonesia and the Netherlands to examine colonial legacies, displacement and healing the heart of home. In Sasak, "Idak" can be interpreted as both “heart” and “absence”, becoming a container for memory, loss, and the unseen layers of the self between generations.
A married couple working together at a pinball museum explore the state of pinball and what it means to them.
A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.
a film about memories & showering.
Memory is a ghost. Lucio, a printing press worker, takes one last walk around the machines with whom he shared everything. He remembers when his mechanisms used to move and through that mechanical movement he reflects about his own life.
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