Juanlu Corrientes
as Antonio Ruiz Soler
Néstor Barea
as Santy Arriazu
Santy Arriazu
as Self
Nacho Duato
Rubén Olmo
Antonio Canales
Victor Ullate Roche
Aída Gómez
Carmen Roche
Carmen Rojas
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
Documentary capturing the rise of all-male dance company, BalletBoyz from first auditions to a performance in Addis Ababa City Hall, Ethiopia.
Giulia Tonelli, principal dancer at the Zurich Opera House, returns from maternity leave. She has to fight to find her place and a new balance, between the competitive and extremely demanding world of an elite ballet company and her new family life.
No mother has ever been as tender and powerful as the Virgin Mary who appeared to the Mexican Indian Juan Diego 500 years ago. Today, more than ever, Our Lady of Guadalupe shows her tenderness and power in so many places around the world. What seemed impossible happened. Why? Who made it possible? What secrets does the "Tilma" hold? Are these miraculous stories true? Thrilling historical reenactments take us to experience the apparitions as if we were actually there. Shocking testimonies from people in Mexico, the United States and other countries, add a universal dimension to Mary's crucial message. They reveal to us how the irresistible love of the Mother of God and of Humanity consoles and heals the wounds of the hearts of those who turn to Her.
From grueling rehearsals to the world premiere, Romeos & Juliets offers an unprecedented behind-the-curtain look at the National Ballet of Canada as ten dancers vie to perform the lead roles on the coveted opening night of "Romeo and Juliet," as envisioned by acclaimed choreographer Alexei Ratmansky in celebration of the company's 60th anniversary.
Gravedigger is the last name on the list of fighters facing the Corona epidemic. The gravediggers have buried the dead in one corona after another at the call of humanity even though they were not paid. In return, they received some rewards and an invaluable realization. One of them is Aslam of Ray Bazar Cemetery, The Last Man.
L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.
An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.
The former principal ballerina tells her story, with historic performances from the BBC archives and candid interviews from throughout her career. Showing how she grew up in front of the camera and mastered television.
An hour-long documentary on the life and career of actor David Gulpilil.
Cinéma vérité celebrating Les Ballets Trockadero de Monte Carlo, a drag ballet company founded in the wake of the Stonewall Riots.
A documentary about the aging prima ballerina Balasaraswati (popularly known as "Bala"), the most famous exponent of the Bharatanatyam dance.
Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
The Hugo's Brain is a French documentary-drama about autism. The documentary crosses authentic autistic stories with a fiction story about the life of an autistic (Hugo), from childhood to adulthood, portraying his difficulties and his handicap.
Discover Les Ballets Trockadero de Monte Carlo (The Trocks), an all-male company that for 45 years has offered audiences their passion for ballet classics mixed with exuberant comedy. With every step they poke fun at their strictly gendered art form.
"In order to preserve all our achievements for posterity it is necessary to resort to the aid of the motion picture, which will be a great contribution to the immortalization of our art. The years are passing by, and we hope that our achievements, registered on film, will aid future generations to learn and perfect themselves. In the not too distant future our first experience in this field will be shown to a wide public: pictures of the methodology of classical ballet at the Moscow and Leningrad Ballet Schools. This film will be a scientific aid in outlying districts as well." - Agrippina Vaganova