Barreiras: Histórias e relatos de pessoas com deficiência frente ao capacitismo

Brechó Brasil

Balcão

The Invisible Subtitler

The Invisible Subtitler is an independent documentary about the use of subtitles in cinema and the life of subtitlers themselves, focusing on the economic issues faced by the subtitlers and how they are currently invisible in the globalized business of the film industry.

A Última Sala

Ableism in São Paulo

Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of individuals with disabilities in the bustling urban landscape of São Paulo. The film captures personal moments and how modern societies confront (or fail to confront) ableism and inclusion.

Antonico: Por Onde Andam os Migrantes Nordestinos?

Snow in Curitiba

In 1928, the city of Curitiba went through a rare snowstorm. To this day, it is the harshest snowstorm to ever take place in the city. Everything was recorded by Alberto Botelho in this short documentary.

Etnografia não é método

Through cinema, it is possible to recognize situations and think about them theoretically from other perspectives. Inspired by the discussion of the classic text by Mariza Peirano. The film uses excerpts from Brazilian filmography to reflect anthropological concepts such as culture, politics, ethnographic field and identity.

A dama de todos

In honor of the 45th anniversary of the film A dama do lotação (1978) directed by Neville D'Almeida, based on the work of Nelson Rodrigues and starring Sonia Braga and a great cast. A dama do lotação (1978) continues to be one of the highest-grossing films in Brazilian cinema. In fragments, Sonia Braga tells what it was like to play the lady.

The Long Voyage of the Yellow Bus

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Capturing Memories

Time passes, slips away, dissolves. But what if we could hold it for a moment? "Capturing Memories" is a dive into the essence of the inconsistent, an invitation to reflect on the importance of preserving moments before they are lost in oblivion. Through visual fragments, the documentary reveals how small scenes of everyday life carry echoes of the past and seeds of the future. In a world where everything passes, what really remains? This film is a tribute to the art of immortalizing the moment, to the beauty of seeing beyond the present and to the need to give meaning to what may one day become a memory.

A Stop Gap Measure

When temporary solutions become the status quo, who gets left behind? A Stop Gap Measure follows disability activist Luke Anderson in his fight for accessibility to be a right, not a privilege.

Nordeste Água e Óleo

Desenvolvimento da Vila Barreiro - Historiando em Novo Barreiro

Marcos Antônio - De Corpo e Alma 2

CARO Vapor II - qual a forma de pagamento?

CARO Vapor II is an exercise in imagination and a redefinition of what Brazilian popular music can be nowadays. From Rio’s samba jazz transported to the streets of Conjunto São Pedro in Fortaleza to Baião meeting the productions of the Neptunes, the artist understands old musical proposals as dreams of possible futures, pillars in the construction of a country whose work remains unfinished. Digging through these ruins and working their echoes in the present, he dares to envision another future. The exercises of imagining the past that haunt us have been exhumed and rebuilt. While this unfolds sonically, Don L’s pen reinforces: the Global South is what matters. Don scrutinizes the aspirations of what it means to be Latin American nowadays, in a world where virtually all experiences are heavily filtered by the internet and those in power. Territorial construction is also mental, provoking the listener by repeating, in new terms, the question: how much of your dreams was advertising?