RIBEIRA: No Contraste do Tempo

Quando Eu Conheci o Cinema

Shapes of Normal Human Beings

Three friends take an 8-day road journey to make sense of Lebanon at this moment in time. Each detour in their journey makes for a spectacular experience of co-narration and listening in the face of uncertainty.

I Am Sitting in a Room

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

We Are Arabbers

We Are Arabbers follows the last of the horse-and-wagon produce vendors along the streets of Baltimore as they struggle to make a living and maintain their unique culture.

Free to Grow

Rural Oregon families have taken up the fight against aerial herbicide spraying by the forestry industry for more than 50 years — but has public safety around these substances since improved? Weaving historic archival footage with modern-day stories, the film is a powerful portrait of families grappling with the realities of herbicide exposure in their own backyards.

Einstein's Universe

A documentary produced in 1979 to celebrate the centenary of the birth of Albert Einstein. Narrated and hosted by Peter Ustinov and written by Nigel Calder.

The Key for Determining Dwarfs or The Last Travel of Lemuel Gulliver

A Czech director wrestles with problems personal and political during the Prague spring of 1968.

Romeo & Julius

A young group of actors are preparing an updated version of Shakespeare's ROMEO & JULIET. Two boys perform the central roles - both of them struggling with their own questions of love alongside their roles on stage. And as rehearsals begin, reality soon starts to interfere with the play.

Trustfall

Voglio che stai bene

Istanbul

With Istanbul, Martine Rousset puts on the brakes to the world's movement through a cinema of deceleration. At the boundaries between image by image movement and optical fusion, the rhythm of the film gives way to a suspended or floating time. Is it not certain that the idea of duration is more able to render a perception of the city that rather burns for intense emotion. It seems as if the camera cultivates a dreamy half-sleep. To this soft throbbing, blends however, variation of exposure as well. Therefore, at certain times, seeing becomes fragile and dangerous.

Hunting the KGB Killers

The inside story of Alexander Litvinenko's murder in London and the subsequent international manhunt that led to the Kremlin, told in full for the first time, with exclusive access to key individuals.

Crépuscule aux Aresquiers

Night is falling the landscape is disappearing leave the world and its memory the night, rags in its wake last page.

I-conic

Miles McKane's sculptures, 1984-86.

No Meio de Nós