Inspired by the energetic German film, Run Lola Run, City Shocks delves into the chaos of urban life through a series of interconnected vignettes, while following a character navigating the bustling streets of a sprawling metropolis.
Brigitte Brobbey
as Scream
Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.
Hunting, a vicious merry go round, a carousel for savage adults against wildlife. Avoid the circular logic of thinking about hunting in a roundabout way. Hunting must be stopped now, discursive roundabouts about the possibility of regulating it are circumlocutory escape routes! In this video, you hear ouzels singing in a cellar, deprived of sunlight, exploited and commodified, sold as call birds. Ouzels are highly sought for their wondrous vocalization. In turn, as in a death carousel, they are then used for attracting other birds that will be killed by legalized exterminators, otherwise called hunters.
Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.
A lensless exploration of hair on 35mm film.
Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
Flowers dance and transform in water, using strobe effects and superimposition. A meditation on life cycles through botanical animation, continuing Jodie Mack's material exploration.
An experimental short from Oskar Fischinger
Radio host and cyber hacker Skinny Mike and his assistant Crutch are asked to hack the Datadyne Corporation by a mysterious client. Created to promote Brain Dead and Gotcha's collaboration for a surf-inspired collection.
Abstract video art set to the music of Philip Glass.
Whereabouts is a riso-printed animated short that follows a woman’s journey through New York City, unfolding through small, intimate moments. From sunrise to sunset, Whereabouts becomes an observation on presence, connection, and the quiet magic of simply moving through the world.
For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
An NTSC space opera.
Fragments of a collective post-human dream construct a world that straddles hyper-technological, ecological, and mythological dimensions.
Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.
A brief journey through the human experience as seen by the eyes of an Artificial Intelligence.
Machinima-adaptation of Albert Camus book "L'étranger", done in Grand Theft Auto: San Andreas.
Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.
